Biography: life and films
For the past twenty years, Bertrand Bonello has had a busy twin career as
a film director and composer. Born in Nice, France, on 11th September
1968, he now lives in Paris and Montréal with his Canadian
partner and camera operator Josée Deshaies. Originally, he started out as classical musician,
and it is in this capacity that he has worked for several prominent artists,
including Françoise Hardy, Carole Laure, Gérald de Palmas and
Elliot Murphy. He has released a number of albums, including
My
New Picture (2007) and has written the score not only for his own films
but also for those of others, including Ilan Duran Cohen's
Petits fils
(2004) and Antoine Barraud's
Le Dos rouge (2014).
Bonello began his film directing career in the mid-1990s with a number of
shorts including
Qui je suis (1996). He established himself
straight away with his promising debut feature
Quelque chose d'organique
(1998), a tragic romance starring Romane Bohringer and Laurent Lucas.
This was followed by
Le Pornographe
(2001), which featured Jean-Pierre Léaud at his best as an ageing
pornographic filmmaker looking for inspiration. Despite the film's
controversial subject matter, it was praised by some critics and proved to
be a commercial success. It also received the FIPRESCI prize at the
Cannes Film Festival.
The director's distinctive style and fascination with the murkier aspects
of human experience became more apparent in his next film, a dark study in
sexual identity entitled
Tiresia
(2003). He then directed Mathieu Amalric and Asia Argento on an autobiographical
drama
De la guerre (2008), and received further acclaim for
L'Apollonide:
Souvenirs de la maison close (2011), a huis-clos drama set in a 19th
century brothel. The success of this film earned Bonello a commission
from the producers Éric and Nicolas Altmayer to direct a lavish biopic
of the fashion designer Yves Saint Laurent. With Gaspard Ulliel in
the lead role,
Saint Laurent
(2014) was a notable critical and commercial hit, Bonello's most popular
film to date. The director courted further controversy with his next
film
Nocturama (2016).
As this depicted a meticulously planned terrorist attack on Paris, it was
ill-received in some quarters after the bloody attacks of the previous year.
It is, despite that, one of Bonello's most significant films to date
- a stark portrait of a society that is heading for self-destruction.
© James Travers 2017
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