Biography: life and films
In a career that spans more than half a century and over 150 films for
cinema and television, Jean Rochefort has become one of the most
recognisable and best loved of all French actors. With his
distinctive voice and trademark moustache, he has the bearing and
authority of a senior British general, but there is also a mischievous
sense of fun and just the faintest hint of something darker beneath the
surface. Not only is he an extremely talented actor, he is also
remarkably versatile and appears to be as at ease in light comedies as
he is in serious dramas. It is the eclectic nature of
Rochefort's work and the conviction that he brings to every one of his
performances that has made him such a popular and well-regarded actor,
and not only with French audiences.
Jean Rochefort was born in Paris, France, on 29th April 1930. He
grew up in Vincennes, in the eastern suburbs of Paris. Having
studied acting at the Centre for Dramatic Art in Paris, he enrolled in
the Conservatoire, France's leading drama school, where he first met
Jean-Paul Belmondo and Jean-Pierre Marielle. Having served his
military service in 1953, he joined the Grenier Hussenot theatre
company, where he stayed for seven years. Rochefort made his film
debut in 1956, in a bit part in Georges Lampin's
Rencontre à Paris. His
first substantial screen role was in Philippe de Broca's historical
romp
Cartouche
(1962), in which he played alongside Jean-Paul Belmondo, who was fast
becoming France's biggest film star. Over the next decade,
Rochefort accepted supporting roles in a veritable mixed bag of films,
which ranged from the ever-popular
Angélique films to the
lively Yves Montand comedy
Le Diable par la queue (1969)
via the forgettable sci-fi oddity
Ne
jouez pas avec les Martiens (1967).
By the 1970s, Jean Rochefort had become one of France's most
recognisable and prolific actors. Now a star in his own right, he
featured in some of the decade's most successful mainstream films,
including Yves Robert's popular comedies
Le Grand Blond avec une chaussure noire
(1972) and
Un éléphant ça trompe
énormément (1976). He also appeared in
several auteur films and worked with some of France's most
distinguished directors, including Bertrand Tavernier (
L'Horloger de Saint-Paul,
1974), Claude Chabrol (
Les Innocents aux mains sales,
1975) and Bertrand Blier (
Calmos, 1976). His
performance in Tavernier's
Que la fête commence...
(1975) won him a Best Supporting Actor César and he subsequently
took the Best Actor César for his role in Pierre
Schoendoerffer's
Le Crabe-Tambour (1977).
Other notable films include: Régis Wargnier's
Je suis le seigneur du château
(1989), Yves Robert's
Le Château de ma mère
(1990) and Patrice Leconte's
Le Mari de la coiffeuse
(1990).
In 2000, Jean Rochefort was offered his dream role, that of Don
Quixote, in Terry Gilliam's
The Man
Who Killed Don Quixote. Unfortunately, the actor sustained
a serious injury one week into the shoot and the production was hastily
aborted. The story of the doomed project is recounted in the 2002
documentary
Lost in La Mancha.
More recently, Rochefort has starred opposite Charlotte Rampling in
Antoine de Caunes' feisty rom-com
Désaccord parfait (2006)
and has made guest appearances in numerous films, including Guillaume
Canet's hit thriller
Ne le dis à
personne (2006) and the British comedy
Mr. Bean's Holiday (2007).
Rochefort's unique combination of talent and charisma has made him one
of France's most sought-after actors and he has lent his services to an
astonishing diversity of films. Whether he is in off-the-wall
black comedies like Philippe Haïm's
Barracuda
(1997) or complex existential dramas like Patrice Leconte's
L'Homme
du train (2002), Rochefort never fails to turn in a
convincing and nuanced performance, holding us in his thrall like a
practitioner of the black arts. He has also turned his hand to
filmmaking. In the early 1970s, he made two documentary shorts,
Rosine (1973) and
T'es fou, Marcel? (1974), the
latter an irreverent tribute to the actor Marcel Dalio. In 2010,
he co-directed a feature-length documentary,
Cavaliers seuls, which came out of
his lifelong passion for horse riding (presently, he manages his own
stud farm). In 1999, Rochefort was awarded an honorary
César for his lifetime contribution to French cinema. Now
in his eighties, he is still very active and has no difficulty
attracting offers of work. It is with anticipation that we look
forward to his appearance in Laurent Tirard's
Astérix et Obélix: Au
Service de Sa Majesté (2012).
© James Travers 2012
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