Raoul Coutard

1924-

Biography: life and films

Raoul Coutard is a French cinematographer. He was born in Paris, France on 16th September 1924.

His best films as a cinematographer include Jean-Luc Godard's Le Mépris (1963), François Truffaut's La Peau douce (1964), Alphaville (1965), Pierrot le fou (1965) and Week End (1967), and whose best work as a film director include Hoa-Binh (1970) and La Légion saute sur Kolwezi (1980).

Raoul Coutard has so far was cinematographer on 73 films, directed 3 films, scripted 1 film and appeared in 1 film.

He has most frequently worked with the following directors: Jean-Luc Godard (16 films), Pierre Schoendoerffer (4), François Truffaut (4), Edouard Molinaro (4), Philippe Garrel (3), Guillaume Nicloux (3), Raoul Lévy (2), Pierre Kast (2), José Pinheiro (2), Jean Aurel (2) and Costa-Gavras (2).

His most frequent genres include: drama (40 films), comedy (16), Thriller (15), romance (11), comedy-drama (9), crime-thriller (8), War (6), comedy-romance (5), comedy-thriller (4) and Documentary (2).

Our average rating for Raoul Coutard over all films is: 3.3

Filmography

Key: d = director; c = cinematographer; a = actor; w = writer

La Passe du diable (1958) [c]

Pêcheur d'Islande (1959) [c]

Ramuntcho (1959) [c]

À bout de souffle (1960) [c]

Tirez sur le pianiste (1960) [c]

Chronique d'un été (1961) [c]

Les Grandes personnes (1961) [c]

Lola (1961) [c]

Tire-au-flanc 62 (1961) [c]

Une femme est une femme (1961) [c]

Et Satan conduit le bal (1962) [c]

Jules et Jim (1962) [c]

L'Amour à vingt ans (1962) [c]

La Poupée (1962) [c]

Vivre sa vie (1962) [c]

Le Mépris (1963) [a,c]

Le Petit soldat (1963) [c]

Les Carabiniers (1963) [c]

Les Vacances portugaises (1963) [c]

Vacances portugaises (1963) [c]

Bande à part (1964) [c]

La Peau douce (1964) [c]

Les Baisers (1964) [c]

Les Plus belles escroqueries du monde (1964) [c]

Un monsieur de compagnie (1964) [c]

Une femme mariée (1964) [c]

Alphaville (1965) [c]

Je vous salue, mafia! (1965) [c]

La 317e section (1965) [c]

Pierrot le fou (1965) [c]

Scruggs (1965) [c]

Made in U.S.A. (1966) [c]

The Defector (1966) [c]

Deux ou trois choses que je sais d'elle (1967) [c]

L'Horizon (1967) [c]

La Chinoise (1967) [c]

La Mariée était en Noir (1967) [c]

The Sailor from Gibraltar (1967) [c]

Week End (1967) [c]

The Southern Star (1969) [c]

Z (1969) [c]

Hoa-Binh (1970) [d,w]

L'Aveu (1970) [c]

La Liberté en croupe (1970) [c]

Êtes-vous fiancée à un marin grec ou à un pilote de ligne? (1971) [c]

L'Explosion (1971) [c]

Les Aveux les plus doux (1971) [c]

Embassy (1972) [c]

Le Trèfle à cinq feuilles (1972) [c]

The Jerusalem File (1972) [c]

L'Emmerdeur (1973) [c]

Le Gang des otages (1973) [c]

Comme un pot de fraises! (1974) [c]

Le Crabe-Tambour (1977) [c]

La Légion saute sur Kolwezi (1980) [d]

Passion (1982) [c]

Prénom Carmen (1983) [c]

S.A.S. à San Salvador (1983) [d]

La Diagonale du fou (1984) [c]

La Garce (1984) [c]

Max mon amour (1986) [c]

Blanc de Chine (1988) [c]

Brennende Betten (1988) [c]

Ne réveillez pas un flic qui dort (1988) [c]

Peaux de vaches (1988) [c]

Bethune: The Making of a Hero (1990) [c]

Il gèle en enfer (1990) [c]

La Femme fardée (1990) [c]

Les Enfants volants (1990) [c]

La Vie crevée (1992) [c]

La Naissance de l'amour (1993) [c]

Faut pas rire du bonheur (1995) [c]

Le Coeur fantôme (1996) [c]

Sauvage innocence (2001) [c]

Deux de la Vague (2010) [a]



Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright