Continental-Films

French cinema under the Occupation

continental films
Continental-Films (also known as Continental) was a film production company financed and managed by the Germans at the time when France was under Nazi Occupation during World War II. The company was created in September 1940 by the Nazi Propaganda Minister Joseph Goebbels to give the Germans some control over the French film industry, as part of a strategy of suppressing French nationalism.

Under the direction of Alfred Greven, a former soldier and staunch Nazi, the company produced thirty full-length films between 1941 and 1944. Thanks to the considerable resources provided by the Germans and Greven's insistence on engaging only the best artists and technicians in an attempt to rival the achievements of Hollywood, these films were generally of exceptional quality and include a number that are now regarded as classics of French cinema - notably Le Corbeau, La Main de diable, Cécile est morte and Au bonheur des dames. All but one of the films produced by Continental were recorded at Paris Studios Cinéma in Billancourt. Continental's last film Les Caves du majestic was shot at Neuilly, rue du Château.

Despite the German censorship, some of these films do contain subtle anti-Nazi messages and hint at covert support for the French resistance, although others, such as Maurice Tourneur's Le Val d'enfer, are blatantly pro-Vichy.

The list of directors who worked for Continental is truly impressive, including such names as: Henri-Georges Clouzot, André Cayatte, Maurice Tourneur and Christian-Jaque. Equally, the list of actors includes some of the most talented and popular performers of the day: Danielle Darrieux, Pierre Fresnay, Albert Préjean, Fernandel.

After the Liberation of France by the Allies in 1944, Continental was immediately wound up, the last film to be made being Les Caves du Majestic.

The most notable film to made by Continental was the dark psychological thriller Le Corbeau. This film acquired a reputation as Nazi propaganda and was banned straight after the Liberation; its director, H.G. Clouzot, was forbidden from making films for three years and its lead actor, Pierre Fresnay, was imprisoned for six months.

Despite the association with the Nazi Occupation, the films made by Continental constitute an integral part of French cinema history, and represent French filmmaking in the 1940s at its best.

Premier rendez-vous (1941)

Image depicting the film Premier rendez-vous
Danielle Darrieux, one of the most popular young actresses of her day, stars in this light romantic comedy, directed by her former husband Henri Decoin.

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Le Dernier des six (1941)

Image depicting the film Le Dernier des six
Pierre Fresnay and Suzy Delair make an unlikely crime-fighting duo in this slick comedy thriller, scripted by none other than H.G. Clouzot.

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Ne bougez-plus (1941)

A lightweight comedy that is almost forgotten - not one of Continental's biggest successes.


Péchés de jeunesse (1941)

Maurice Tourneur's first film for Continental is this run-of-the-mill drama which features the great Harry Baur.


Mam'zelle Bonaparte (1941)

Edwige Feuillère and Raymond Rouleau star in this conventional drama, Maurice Tourneur's second film for Continental.


Caprices (1942)

Image depicting the film Caprices
Danielle Darrieux and Albert Préjean make a memorable couple in this sparkling romantic comedy.

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Annette et la dame blonde (1942)

Jean Dréville's only film for Continental was this slightly wooden romantic drama.


La Symphonie fantastique (1942)

Image depicting the film La Symphonie fantastique
Jean-Louis Barrault stars in this lavish historical drama which recounts the life of the great composer Hector Berlioz.

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Les Inconnus dans la maison (1942)

Image depicting the film Les Inconnus dans la maison
Raimu gives a great performance in this dark, atmospheric adaptation of a Georges Simenon novel.

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L'Assassin habite au 21 (1942)

Image depicting the film L'Assassin habite au 21
Pierre Fresnay is teamed up with Suzy Delair once more in this classic comedy thriller, which includes some deliciously eccentric performances.

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La Fausse maîtresse (1942)

Image depicting the film La Fausse maitresse
André Cayatte's first film is so unlike the kind of film he is known for (crime-dramas). It is a light comedy, starring the delightful Danielle Darrieux.

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Simplet (1942)

Image depicting the film Simplet
Comedy giant Fernandel makes his directorial debut with this enjoyable Provençal comedy.

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Défense d'aimer (1942)

Richard Pottier's first film for Continental sees Suzy Delair paired with Paul Meurisse.


Mariage d'Amour (1942)

Henri Decoin's least memorable film for Continental, a melodrama starring François Périer and Paul Meurisse.


Picpus (1943)

Image depicting the film Picpus
The first of three films made by Continental which see popular actor Albert Préjean in the role of the world-famous sleuth Maigret.

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La Main du Diable (1943)

Image depicting the film La Main du Diable
Pierre Fresnay stars in one of the most memorable and disturbing of French fantasy films, inspired by a notorious German horror film.

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Vingt-cinq ans de bonheur (1943)

3
A little-known comedy starring Denise Grey and Jean Tissier.


Au bonheur des dames (1943)

Image depicting the film Au bonheur des dames
Michel Simon, Albert Préjean and Suzy Prim star in this rather poignant drama, André Cayatte's second film, made under very difficult circumstances.

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Le Val d'enfer (1943)

Image depicting the film Le Val d'enfer
This strikingly naturalistic drama features a great performance from Ginette Leclerc, and can be interpreted as an allegory for resistance to the Nazi Occupation.

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Le Corbeau (1943)

Image depicting the film Le Corbeau
This "black diamond" of the Occupation is regarded as a masterpiece, the first of Clouzot's great films and featuring a great performance from Pierre Fresnay.

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Mon amour est près de toi (1943)

Director Richard Pottier teams up with popular singer Tino Rossi in this humdrum comedy.


La Ferme aux loups (1943)

This entertaining comedy-thriller sees Martine Carol in her first significant screen role.


Adrien (1943)

Image depicting the film Adrien
Fernandel is on fine form in this entertaining screwball comedy, which he also directed.

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Pierre et Jean (1943)

Renée Saint-Cyr stars in this early film melodrama from André Cayatte.


Cécile est morte (1944)

Image depicting the film Cecile est morte
Albert Préjean reprises the role of Maigret in this atmospheric thriller, which has more than a touch of film noir about it.

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La Vie de plaisir (1944)

Possibly the unluckiest French film ever! It was released just before the Liberation (May 1944), when powercuts were rife, only to be banned (for being anti-French) one month later.


Les Caves du Majestic (1945)

Image depicting the film Les Caves du Majestic
For the third and final time, Albert Préjean plays the role of Maigret in this ingenious murder mystery.

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Le Dernier sou (1946)

A lacklustre crime drama, one of André Cayatte's least memorable films.



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