The Prisoner is one of the most imaginative and thought-provoking
television series made in the mid-to-late 1960s. Its imaginative stories
and slick, almost pop-artish production design set it apart from all other
television drama of this era, and it remains as fresh and entertaining as
ever. The series was the brainchild of Patrick McGoohan, a major TV
star of the era who was eager to make his mark as a producer, writer and
director. McGoohan's commitment, drive and eccentricity are reflected
in the series with which he is now most associated - an open-ended Kafkaesque
fantasy which you are free to interpret in any way you choose. There is literally
nothing like it and it's a miracle that it was ever made at all.
Although the stories vary considerably in tone and content, each episode
essentially boils down to a private duel between The Prisoner (referred to
as Number Six and played by the ever-charismatic McGoohan) and his gaoler
(Number Two), the aim being to escape from an idyllic, out-of-the way resort
named The Village. In each episode, Number Two is played by a different
guest star actor (Leo McKern, Patrick Cargill, Anton Rodgers, Peter Wyngarde,
George Baker, Mary Morris and Derren Nesbitt, among others), and this is
one of the series' main strengths.
What makes
The Prisoner so endlessly watchable is that we never know
what to expect next, or indeed whether it will ever make any kind of sense.
Some episodes (notably
A Change of Mind) warn ominously against the
power of the state to control its citizens, others fit more readily into
the espionage-thriller line. There's a weird digression into classic
western territory (
Living In Harmony is basically
a reworking of
High Noon), and some episodes are obviously
taken from unused scripts of McGoohan's previous hit series,
Danger Man.
The final episode in the series is a masterpiece in abstract television
storytelling . McGoohan had no idea how to end the series and by this time
he didn't really care, so he just let his creativity run rampant. Audiences
were outraged by the last episode (
Fall Out) when it was first screened
in 1968, but it's probably the best final episode of any TV series.
Network's DVD box set of the series more than does justice to one of the
most iconic of all television series. Not only are all of the episodes
handsomely remastered, the collection comes complete with audio commentaries
on seven episodes by several members of the production team, and a wealth
of bonus features. Picture galleries, music suites, behind-the-scenes-footage
and different versions of the opening titles with alternative (rejected)
theme music are all welcome, but the main attraction is a full-length documentary
about the series entitled
Don't Knock Yourself Out, which tells the
full story of the series' turbulent and often chaotic production. If
you ever wanted to discover the origins of the mysterious Rover, you're in
for a treat. A 280 page book by Andrew Pixley details the series' production
across all episodes and is an essential accompaniment when you watch this
extraordinary series.