À l'aventure (2009)
Directed by Jean-Claude Brisseau

Drama / Erotica

Film Review

Abstract picture representing A l'aventure (2009)
With À l'aventure, director Jean-Claude Brisseau concludes his provocative erotic trilogy, not so much with a bang as with an overly intellectualised analysis of female sexuality which makes an Open University lecture on quantum physics look like kindergarten stuff.  After Choses Secrètes (2002) and Les Anges exterminateurs (2006), Brisseau's latest attempt to enlighten us on the mysteries of sex looks suspiciously like a highbrow re-make of Just Jaeckin's Emmanuelle (1974).  By throwing in a few tonnes of pseudo-mystical posturing, Brisseau presumbly thought he could give his film at least a veneer of art house respectability and so prevent it from being marketed exclusively to the dirty mac brigade.   In fact, what is presented as a woman's search for sexual fulfilment outside the confines of bourgeois respectability is little more than a pretext for pornographic self-indulgence of the dullest kind.

Although Brisseau tries hard to make this more than just a high-blown piece of erotica he doesn't quite pull it off (so to speak).   The film's artistic flourishes (which include some appropriately moody location photography) are not enough to elevate it much beyond the level of tacky porno trash.   Had the characters been more than just bland caricatures with a morbid fascination for Sade the film might have stood some chance of looking less like smut for intellectuals and more like an honest exploration of human desire.   Far from breaching the sexual taboos as he intended, Brisseau merely reinforces one's prejudices against the erotic film, a deservedly reviled genre which, thanks to the internet, is now well and truly dead in the water.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Sandrine is bored with her comfortable middle-class existence in a dull provincial town.  Finally, tired of the daily rituals and the endless compromises that constrain her freedom, she leaves her home and her boyfriend and sets out in search of adventure.  She gets to know a young psychiatrist who happens to share her thirst for passion and self-fulfilment through the most intense sensual experiences...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Jean-Claude Brisseau
  • Script: Jean-Claude Brisseau
  • Cinematographer: Wilfrid Sempé
  • Music: Jean Musy
  • Cast: Carole Brana (Sandrine), Arnaud Binard (Greg), Nadia Chibani (Mina), Lise Bellynck (Sophie), Etienne Chicot (L'homme sur le banc), Estelle Galarme (Françoise), Frédéric Aspisi (Jérôme), Jocelyn Quivrin (Fred), Michèle Larue (La mère de Sandrine)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 104 min

The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright