Film Review
Jack Lee's superlative adaptation of Nevil Shute's celebrated novel,
which is based on actual events during WWII, offers Virginia McKenna
one of her most memorable roles in what is one of British cinema's most
harrowing wartime dramas. With its brutally authentic depiction
of suffering,
A Town Like Alice
is a testament to the resilience of the human spirit and tells a story
of courage and cruelty that both chills the blood and moves the
heart.
As the stiff-upper-lipped heroine who is visibly struggling to keep her
emotions in check, Virginia McKenna provides the film with its
emotional heart and vividly conveys the experience of almost
intolerable human anguish. As she also demonstrated in a similar
role in the memorable wartime biopic
Carve Her Name with Pride (1958),
McKenna was an actress who had a knack for playing ordinary women with extraordinary qualities and here,
in what is undoubtedly one of her finest performances. She brings a
searing realism to a film that could so easily have ended up as an
overcooked melodrama.
McKenna's co-star, Peter Finch (of
Sunday Bloody Sunday fame),
deserves almost equal praise for his
convincing portrayal of a prisoner-of-war with a subtle poetic streak,
and the contributions from the capable supporting cast should not be
overlooked.
A Town Like Alice
is a film that tells a remarkable story with a pleasing simplicity and
charm, without the extravagance we would find in a comparable Hollywood
production. The ending may feel somewhat contrived but it
provides just the tonic the spectator needs after witnessing the litany
of horrors that preceded it. A very poignant film.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In 1942, Jean Paget is working in Malaya when the Japanese army begins
to attack the country. In no time, she ends up with a party of
women and children who are instructed to walk fifty miles to Kuala
Lumpur, where they will be allowed to leave the country for
Singapore. Before they reach their destination, the party is
halted by more Japanese soldiers and sent in another direction.
Over the next few months, the women and children walk for hundreds of
miles through jungles and across swamps, barely surviving on the meagre scraps
of food they can find. Their only hope of survival is to find a
prisoner-of-war camp that will take them in and give them the food and
medical attention they desperately need, but at every camp they come to they are
immediately turned away. For many in the party, the ordeal is too much. With
half of the women and children dead from disease or malnutrition, Jean
and her surviving friends wonder how long it will be before they too
will succumb to the inevitable. Just when everything seems hopeless, the party runs
into an Australian prisoner-of-war, Joe Harman, who offers what little
help and moral support he can. But when Joe steals a chicken for
the women from his camp commander, the Japanese soldiers are quick to
exact their revenge. Nailed to a tree, Joe is left for
dead. More distraught than ever, the women continue their
seemingly endless trek across Malaya...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.