Film Review
As if
Adventures of a Taxi Driver (1976)
was not bad enough, the same production team turned out
an even greater comedy disaster, showing the lamentable
state of the British film industry as it mined the nadir
of good taste in a last ditch attempt to prise punters away from their
television sets.
Adventures of
a Private Eye serves up the by now familiar concoction of
low-grade porn and tacky sex jokes which devotees of this series and
its nearest rival, the
Confessions films,
blithely mistook for entertainment.The amiable singer-actor
Christopher Neil clearly has no inhibitions about appearing stark naked
in front of a camera (leaving absolutely nothing to the imagination), but
you would have thought he'd have had more
sense than to do so (roughly once every ten minutes, removing
all of his clothes on the flimsiest of pretexts) in this festering
pile of ill-conceived crud.
If you think that a film which can call upon the
comedic talents of Diana Dors, Harry H. Corbett, Jon Pertwee and Willie
Rushton could hardly go amiss, you'd be wrong. Crude and
risqué the humour may be, but the laughs are harder to come by
than a bowtie in a nudist camp. Adrienne Posta's classy send-up
of Liza Minnelli from
Cabaret
is the one bright spot in an otherwise dismal
film. And to think that the makers of this film had the audacity
to inflict a further atrocity (
Adventures
of a Plumber's Mate) on the British public.
There really should be a law against this kind of thing...
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Even though Bob West has been assistant to private detective
Judd Blake for only a few weeks, he already thinks he has a feel for
the job and is eager to prove himself. His opportunity to do just
that comes when his employer goes off to conduct some very private
investigations, leaving Bob in charge of the office. Bob's first
client is Laura Sutton, an attractive model who has received a
blackmail demand from someone threatening to rob her of her inheritance
by disclosing some extremely compromising photographs. Bob
accepts Laura's case, to identify the mysterious blackmailer, without a
moment's hesitation. The number one suspect is Laura's former
photographer, Scott. Having failed to find any incriminating
evidence in Scott's flat, Bob joins Laura at her ancestral home,
Grimsdyke Manor, where there is no shortage of suspects. When a
murder is committed under his very nose, Bob must act fast or his one
opportunity to prove himself as a private dick will be blown...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.