Adventures of a Private Eye (1977)
Directed by Stanley A. Long

Comedy / Crime

Film Review

Abstract picture representing Adventures of a Private Eye (1977)
As if Adventures of a Taxi Driver (1976) was not bad enough, the same production team turned out an even greater comedy disaster, showing the lamentable state of the British film industry as it mined the nadir of good taste in a last ditch attempt to prise punters away from their television sets.  Adventures of a Private Eye serves up the by now familiar concoction of low-grade porn and tacky sex jokes which devotees of this series and its nearest rival, the Confessions films, blithely mistook for entertainment.The amiable singer-actor Christopher Neil clearly has no inhibitions about appearing stark naked in front of a camera (leaving absolutely nothing to the imagination), but you would have thought he'd have had more sense than to do so (roughly once every ten minutes, removing all of his clothes on the flimsiest of pretexts) in this festering pile of ill-conceived crud.

If you think that a film which can call upon the comedic talents of Diana Dors, Harry H. Corbett, Jon Pertwee and Willie Rushton could hardly go amiss, you'd be wrong.  Crude and risqué the humour may be, but the laughs are harder to come by than a bowtie in a nudist camp.  Adrienne Posta's classy send-up of Liza Minnelli from Cabaret is the one bright spot in an otherwise dismal film.  And to think that the makers of this film had the audacity to inflict a further atrocity (Adventures of a Plumber's Mate) on the British public.  There really should be a law against this kind of thing...
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Even though Bob West has been assistant to private detective Judd Blake for only a few weeks, he already thinks he has a feel for the job and is eager to prove himself.  His opportunity to do just that comes when his employer goes off to conduct some very private investigations, leaving Bob in charge of the office.  Bob's first client is Laura Sutton, an attractive model who has received a blackmail demand from someone threatening to rob her of her inheritance by disclosing some extremely compromising photographs.  Bob accepts Laura's case, to identify the mysterious blackmailer, without a moment's hesitation.  The number one suspect is Laura's former photographer, Scott.  Having failed to find any incriminating evidence in Scott's flat, Bob joins Laura at her ancestral home, Grimsdyke Manor, where there is no shortage of suspects.  When a murder is committed under his very nose, Bob must act fast or his one opportunity to prove himself as a private dick will be blown...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Stanley A. Long
  • Script: Stanley A. Long, Michael Armstrong
  • Cinematographer: Peter Sinclair
  • Cast: Christopher Neil (Bob West), Suzy Kendall (Laura Sutton), Harry H. Corbett (Sydney), Diana Dors (Mrs. Horne), Fred Emney (Sir Basil), Liz Fraser (Violet), Irene Handl (Miss Friggin), Ian Lavender (Derek), Julian Orchard (Police Cyclist), Jon Pertwee (Judd Blake), Adrienne Posta (Lisa Moroni), Anna Quayle (Medea), William Rushton (Wilfred), Robin Stewart (Scott), Veronica Doran (Maud), Jonathan Adams (Inspector Hogg), Richard Caldicot (Craddock), Hilary Pritchard (Sally), Angela Scoular (Jane Hogg), Nicholas Young (Legs Luigi)
  • Country: UK
  • Language: English
  • Support: Color
  • Runtime: 96 min

The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright