Au cas où je n'aurais pas la palme d'or (2012) Directed by Renaud Cohen
Comedy
Film Review
The difficulties of making a second film are humorously presented in
this wacky comedy, which - as luck would have it - just happens to be
the second film from director Renaud Cohen. It has been
over a decade since Cohen served up his first feature, the amiable
comedy-drama Quand on sera grand (2000), so
he obviously knows something about the problems of getting a second
film off the ground. Cohen even takes the lead role in the film,
playing himself (or, one hopes, a caricature of himself) - a
hypochondriac suffering from a creative block. (Can it be an
accident that Cohen's character bears more than a passing resemblance
to Woody Allen's screen alter ego?) Whilst Cohen's main idea has
some mileage, the film's author struggles to come up with enough decent
gags and plot ideas to sustain it through a feature-length film.
By the end of it you can't help feeling that Au cas où je n'aurais pas la palme
d'or is a sublime example of the narcissistic self-absorption
for which French cinema has a particularly bad reputation.
The best thing about the film is its title - it's a pity there isn't a
special award at Cannes to acknowledge this.
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Film Synopsis
Simon is a struggling unknown filmmaker in his mid-forties whose achievements
fall way short of his expectations. An actor bets he wouldn't shave
all his hair off so to prove him wrong Simon does just that - and is horrified
to find that he has a lump on his head he never knew existed before.
Naturally Simon is thrown into a state of panic by this discovery, which
hits him like the cruellest and most unjust of death sentences. Immediately,
he goes out and gets himself examined by various doctors, who all calmly
assure him that he has nothing to worry about. Simon has never trusted
the medical profession and knows for sure that he is not long for this world.
Unwilling to shuffle off this mortal coil without having achieved something
worthwhile, Simon sets out to make the best film of his career, convinced
that it will almost certainly be the last thing he will ever do...
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.