Claude Duty followed his successful musical film Filles
perdues, cheveux gras (2002) with this comparatively uninspired comedy-drama, the
latest in what seems like a deluge of “town to country / change of lifestyle” films to
have landed on the big screen over the last five or so years. Whilst the film
is attractively shot and has a few engaging sequences, the plethora of obvious clichés
does weigh it down and diminish its worth as an original piece of cinema. It doesn't
help that the two lead characters are underwritten and played without any real depth or
enthusiasm. Even stars like Bulle Ogier and Julie Depardieu have a hard time breathing
life into the dull and predictable narrative.
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Film Synopsis
Tired of their stressful Parisian lifestyle, Caroline and Bertrand decide to start a new
life, running a traditional gîte in deepest Provence. It is not long before
they start to question the wisdom of this move - the buildings are in a state of near-dilapidation,
their friend and supposed partner Sophie has walked out on them, and they are but a stone's
throw from a far more attractive holiday home, catering for gay men. Will this change
be as good as a rest, or the start of a nightmare..?
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.