Film Review
Judging by the result, George Cukor was in his element when he directed
this adaptation of the popular play
Born
Yesterday by Garson Kanin, a huge hit on Broadway which made its
lead actress Judy Holliday into a star. You would think Holliday
was the obvious person to play the archetypal dumb blonde in this film,
but no, the powers that be at Columbia spent three years looking around
fruitlessly before finally realising that the only person who could
play the part was Miss Holliday.
Born Yesterday is essentially
a variation on the famous George Bernard Shaw
Pygmalion play, which George Cukor
would later return to with
My Fair Lady
(1964). It is also an effective satire on the shadier
side of capitalism, with messages that are just as relevant
today. Broderick Crawford plays the bullying nouveau riche Harry
Brock as a kind of Neanderthal Edward G. Robinson, funny but menacing,
although he only just manages to hold his own against the
scene-stealing Judy Holliday. The highlight of the film is the
hilarious scene where these two are playing gin rummy, with all the
sophistication, restraint and self-awareness of two pigs from the lowest
stratum of porcine society rolling about in mud.
The film was nominated for five Oscars, including Best Picture, Best
Director and Best Screenplay, but the only win was for Judy Holliday in
the Best Actress category - she managed to beat off stiff competition
from the likes of Bette Davis and Gloria Swanson. This success
came at a price - Holliday would be typecast for the rest of her career
and made just eleven films, preferring stage work. She died
tragically young from throat cancer in 1965. Her
performance is
Born Yesterday
is the effervescent high point of her career, and an absolute joy to
watch.
© James Travers 2008
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Next George Cukor film:
Pat and Mike (1952)
Film Synopsis
Not content with having made a fortune through his scrap metal business,
Harry Brock arrives in Washington DC intending to expand his empire with
the help of one or two corruptible congressmen. Harry is of the class
who believes anything and anyone can be bought, if the price is high enough.
He is accompanied by his crooked lawyer, Jim Devery, and his ditsy mistress,
Billie Dawn. Billie's naivety makes her Harry's most valuable asset
- she is all too willing to put her name to documents to conceal his involvement
in dodgy deals with the government. Harry may not be one of life's
sophisticates but even he is appalled by Billie's ignorance and lack of social
skills. To turn his girlfriend into a more socially acceptable example
of womanhood Harry hires journalist Paul Verrall as her private tutor.
Under Paul's influence, Billie soon acquires a broad knowledge and learns
to think for herself. It turns out that Billie is not so stupid as
she appeared - and this creates no end of problems for Harry...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.