Film Review
Before Julien Duviver came along and made a respectable actor of him
with
Maria Chapdelaine (1934), Jean
Gabin was happy to fritter away his time and energy on a string of
lowbrow populist comedies and crime films that are now all but
forgotten.
Coeurs joyeux
is by no means the worst of Gabin's early films but it's a pretty
dismal offering, a supposed comedy-thriller that is neither funny or
thrilling, just a routine parody of a gangster film written and
directed with next to no flair or imagination. Directed by Max de
Vaucorbeil, it is the French version of Hanns Schwarz's German language
film
Zigeuner einer nacht,
which starred Jenny Jugo and Hans Brausewetter. Judging by the
result, it looks as if something may have got lost in translation.
Coeurs joyeux struggles to
live up to its perky title but, awful as the plot is, it still manages
to have some charm, thanks to Gabin's youthful presence alongside the
delightful Josseline Gaël, with whom he had previously starred in
Jacques Tourneur's amiable comedy
Tout ça ne vaut pas l'amour
(1931). Gabriel Gabrio is the other notable cast member, here
cast as a heavy, the kind of role which made best use of his powerful
physique. The performances are far better than the film deserves,
and if more attention had been lavished on the script, this could have
been something special. Eugen Schüfftan's stylish
cinematography (hinting towards film noir) is wasted, as pointless an
embellishment as gilt-framing a randomly scribbled doodle,
and Gabin's one musical number just looks totally out of place.
The film's biggest mistake is having Gabin elbowed out of the action
midway through the story. With its star player out of the frame,
Coeurs joyeux descends into a
chaotic farce, culminating in a lively but pointless Keystone
Kops-style run-a-round. 'Silly but fun' just about sums this up.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Charles is a young man who works as a projectionist at a small
cinema. One night, he is abducted by a gang of crooks and forced
to repair a film projector. For his efforts, Charles is locked up
by the crooks as they go about their next criminal exploit. As a
result, Charles becomes the scapegoat for the crooks' jewel robbery and
is soon arrested by the police. Lucette, the brother of one of
the crooks, comes to Charles' rescue. She persuades the
jeweller Van-Hoolst to withdraw his charge if the jewels are turned to
him. The next problem Lucette faces is finding a way to honour
this promise...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.