Film Review
The success of Jacques Becker's
Touchez pas au Grisbi (1954)
was instrumental in establishing the policier as a major genre in mainstream French
cinema in the mid-1950s. This film was also significant in helping to re-start
Jean Gabin's career after a period of decline following his unsuccessful attempt
to break into Hollywood in the early 1940s. Subsequently, Gabin would become
closely associated with the policier genre - not the romantic hero of the actor's early years,
but a tougher, more taciturn character, equally suited for the role of the
redoubtable cop or hardened hoodlum. In Gilles Grangier's
Gas-Oil, Gabin
is neither a cop nor a crook, but a lone roughneck fighting his own battle
against gangsters who make the fatal mistake of getting his dander up. It's a role
that serves the older Gabin perfectly and helped to earn him his reputation as the hard man
of French cinema in the 1950s.
Prior to this, Grangier had directed Gabin in another noirish drama,
La Vierge du Rhin (1953), and
several other collaborations in the policier genre would follow - notably
Le Cave se rebiffe (1961)
and
Maigret voit rouge (1963).
Gas-Oil is one of the more satisfying of the many films that Gabin
made with Grangier, although its stylish production and solid performances are
compromised by its somewhat pedestrian plot which has some difficulty tying together its
disparate elements. Playing alongside Gabin is Jeanne Moreau, a future icon of
the French New Wave who was already dazzling audiences at the start of her impressive screen career.
The presence of Ginette Leclerc as a gangster's widow is a bonus - once renowned for
playing vamps and other assorted 'bad women', the actress never lost
her seductive appeal in her declining years. Roger Hanin also makes his mark in one of his early tough guy supporting roles, not long before
stardom came his way when he took over the role of Géo Paquet
from Lino Ventura in
La Valse du Gorille (1959).
Somewhat lacking in originality,
Gas-Oil falls short of the excellence
of other French thrillers of this era, but an impressive turn from Gabin
and some suitably grim noir touches make it one of Gilles Grangier's more
memorable films.
© James Travers 2001
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Next Gilles Grangier film:
Le Printemps, l'automne et l'amour (1955)
Film Synopsis
After spending the night with his girlfriend Alice at her home in the suburbs
of Paris, Jean Chape drives off in his five-ton lorry in the early hours
and unwittingly runs over a body laid out in the road. Without delay,
Jean reports the matter to the police who, suspecting foul play, promptly
impound the lorry. The autopsy confirms that the victim, a notorious
hoodlum named Scopo, was dead before Chape drove over him. Returning
to his home in the Auvergne, the lorry driver is pursued by the gangster's
widow and his accomplices, who are determined to recover a suitcase containing
the spoils of Scopo's last hold-up - fifty million francs. Disbelieving
Chape's protestations that he has no knowledge of the money, Scopo's criminal
associates set about persecuting him in the hope that he will crack and return
to them their ill-gotten gains. Chape has no intention of giving in
to the crooks. With the help of his friends, he goes on the offensive
and a fierce showdown soon appears inevitable...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.