Film Review
With the British film industry in a state of terminal decline in the
early 1980s, there was general feeling of amazement and jubilation
whenever a film came along which seemed to prove the contrary.
Bill Forsyth's second feature,
Gregory's
Girl, was one such film. An honest and witty coming of age
comedy-drama, which somehow manages to avoid all the clichés and
pitfalls to which this genre is particularly prone, this is a film that
has remained as fresh and true since the day it was first seen.
It rightly deserves its reputation as one of the greats of British
cinema, a major achievement when you consider that it was originally
intended only for screening on television in the UK and was made on a
paltry budget of £200,000.
The film combines the social realist technique - naturalistic
performances from inexperienced actors and use of real locations - with
a quirky, almost surreal kind of humour that appears to have been
entirely improvised by the inmates of a lunatic asylum. Some of
the situations and dialogue exchanges would not be entirely out of
place in a Monty Python sketch (the wandering penguin certainly
wouldn't), but the urban setting and the documentary-style presentation
anchor the film solidly in a reality that we can all recognise and
relate to.
The keen-edged comedy, which is beautifully underplayed by all of the
cast members, does not detract from the film's emotional heart and the
film is as poignant as it is funny, without the slightest whiff of
sentimentality. Every character we meet in this film is
believable and sympathetically played as a real person, not the daft
glue-sniffing stereotypes that we find too often in contemporary
drama. As the gawky teenager suffering from a severe case of
hormonal
imbalance, John Gordon Sinclair is so convincing that you would swear
he isn't acting at all but is genuinely going through a mid-youth
crisis. Maybe he is.
Given this auspicious debut, it is surprising that Bill Forsyth did not
go on to make a name for himself as great auteur (the Eric Rohmer of British cinema) but
instead yielded to the lure of Hollywood and the mediocrity which that
entailed. You only have to compare
Gregory's Girl with its bland and
inconsequential 1999 sequel
Gregory's
Two Girls (directed by Forsyth and with John Gordon Sinclair
reprising his role) to see what a uniquely wonderful film it is.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Gregory is a typical teenage boy at a Scottish comprehensive
school. His main interest in life is football and so he is
understandably perturbed when his coach, Phil Menzies, tells him that
he intends to make some radical changes to the school team. At
the soccar trials, Menzies is surprised when a girl named Dorothy turns
up, determined to prove she is at least the equal of any man.
Sure enough, Dorothy manages to outshine all of her male competitors
and, despite his initial reservations, Menzies offers her a place on
the team, demoting Gregory to goalkeeper. Gregory is far from
upset at this outcome: within minutes of clapping eyes on Dorothy he
knows that he is in love with her, just like in the movies. But
he is too shy to approach her and let her know what he feels.
Then, after a practice session one lunch hour, he finally bottles up
the courage to ask her out for a date. To his surprise, she says
yes. Has Gregory really got his girl..?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.