If You Could Only Cook (1935)
Directed by William A. Seiter

Comedy / Romance

Film Review

Abstract picture representing If You Could Only Cook (1935)
Herbert Marshall and Jean Arthur make a surprisingly effective team in this early screwball comedy, a genre that proved to be a popular antidote to the Great Depression.  Although Marshall is at his best in purely dramatic roles, this film demonstrates that he also had a flair for comedy.  His smooth English charm is the perfect complement to Jean Arthur's rough-round-the-edges ballsy New Yorker.  The plot veers towards Keystone-style craziness, complete with comedy hoodlums that would not have been out of place in a Mack Sennett film.  Still, the jokes are fun and the performances a joy to watch - just the kind of thing to lift the spirits of an audience seeking distraction from economic hardship.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Jim Buchanan, the well-heeled director of a large car manufacturing company, is about to get married to a society woman for whom he has no real affection.  After his revolutionary design for a new motorcar has been turned down by his board of directors Jim storms out and threatens never to return.  The unhappy businessman is sitting on a bench in the park when he meets Joan Hawthorne, a likeable young woman who is desperately trying to find work - not an easy task when the whole country is caught in the worst economic depression in living memory.  Joan cheers up when she comes across an advertisement in her newspaper for a cook and butler.  She convinces Jim he should apply for the job of the butler so that she can get the cook's position.  One-time bootlegger Mike Rossini is happy to take the two of them on at his large mansion, but Jim and Joan are not impressed when they find that they have to share the same bedroom.  This, however, proves to be the least of their worries, as their rich employers turn out to be notorious mobsters.  It isn't long before Rossini's bodyguard Flash takes a liking to Joan...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: William A. Seiter
  • Script: F. Hugh Herbert (story), Howard J. Green, Gertrude Purcell
  • Cinematographer: John Stumar
  • Cast: Herbert Marshall (Jim Buchanan), Jean Arthur (Joan Hawthorne), Leo Carrillo (Mike Rossini), Lionel Stander (Flash), Alan Edwards (Bob Reynolds), Frieda Inescort (Evelyn Fletcher), Gene Morgan (Al), Ralf Harolde (Swig), Matt McHugh (Pete), Richard Powell (Chesty), Mariska Aldrich (Swedish Cook), William Anderson (Newsboy), John Ardell (Member of Board of Directors), William Arnold (Second Inspector), Wyrley Birch (Minister), Joan Blair (Kate), Ralph Brooks (Extra as Wedding Guest), Michelette Burani (French Cook), Walter Byron (Roy), Romaine Callender (Jennings)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 72 min

The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright