Film Review
Ingrid Bergman's remarkable career in Hollywood began in a fairly
inauspicious vein with this conventional romantic melodrama, a film
which would doubtless have been lost in the mists of time had it not
been for the exquisite performances from the lead performers.
Intermezzo is an English language
remake of an unmemorable Swedish film of the same title, released in
1936 and starring Bergman in the same role.
The plot may have even less substance than a small ball of diet
candyfloss, it may rely on the kind of daft contrivances that are
endemic in low-grade soap operas, but somehow the film holds our
attention. It achieves this remarkable feat through Gregory
Ratoff's delicate and sensitive direction, Gregg Toland's mesmeric
chiaroscuro cinematography and the sublime performances from Bergman
and her co-star, Leslie Howard. The film feels like a
lightweight version of David Lean's
Brief Encounter (1945), falling
short of perfection only in the scripting department.
On its first release, in what is now acknowledged as Hollywood's golden
year,
Intermezzo was a both a
popular and critical success. It earned two Oscar nominations,
one for its music, the other for its cinematography. The award in
the latter category went to Toland for his work on
Wuthering Heights (1939); he
would later excel himself on Orson Welles'
Citizen
Kane (1942). The film's theme, composed by Heinz
Provost, became a hit record.
Intermezzo
may now appear to be somewhat dated but it established Ingrid
Bergman's international career. The actress's combination of good
looks, emotional strength and intelligence - not to mention that
unmistakable accent - made her an unconventional but highly
attractive star of the silver screen.
© James Travers 2010
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Film Synopsis
Holger Brandt is a world-renowned concert violinist, comfortably
settled into middle age with a loving wife and two adoring young
children. On his return to his home in Sweden after a world tour,
he meets Anita Hoffman, his children's piano teacher. Anita's
talent as a musician makes an immediate impression on Holger and he
engages her as his pianist on his next international tour. It
soon becomes apparent to both Holger and Anita that they are in love
and they decide to start a new life together. Holger gives up his
family; Anita surrenders a scholarship to study music. But these
sacrifices are worth it. As they share an idyllic holiday in
France, they could not be happier. But then it slowly dawns on
them that they cannot possibly stay together...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.