La Marraine de Charley (1959)
Directed by Pierre Chevalier

Comedy

Film Review

Abstract picture representing La Marraine de Charley (1959)
Of the forty or so screen adaptations of Brandon Thomas's eternally popular stage play Charley's Aunt few are as wildly exuberant as this enjoyably daft French version featuring French comedy legend Fernand Raynaud at the height of his powers.  Although best known as a stand-up comic, Raynaud was also a superb comic actor and appeared in around a dozen films, of which La Marraine de Charley is arguably his funniest.  Departing slightly from Thomas's play, the film sees Raynaud in a double role, playing both the enterprising student Charley and his formidable benefactor, here referred to as his godmother.  Needless to say, the sight of Raynaud in drag is not one to be missed and is one of the funniest (and possibly scariest) things you will ever see in any French film.

La Marraine de Charley is a remake of an earlier film of the same title, released in 1936 and directed by Pierre Colombier, with Claude Lehmann as Charley and Marguerite Moreno as his godmother.  The 1959 version was directed by Pierre Chevalier, who worked with Raynaud on several other comedies, including Fernand clochard (1957) and Auguste (1961).  The script was by Jean Girault, who would later go on to direct some of France's most successful film comedies, notably the Gendarme series with Louis de Funès.

Despite some strong competition from co-stars Jean-Pierre Cassel (a remarkable presence at the start of his career) and Pierre Bertin, Fernand Raynaud walks away with the film (although he does struggle a little with the high heels) and has rarely been funnier.  The spectacle of Raynaud trying to put on a dress (legs first) is enough to send you into hysterics.  Regrettably, Chevalier's direction isn't much to write home about and most of the gags have a habit of turning up too late after they have been announced, but, with Raynaud milking his drag act for all it is worth, La Marraine de Charley manages to hit the spot, more by accident than by design.  It's not the most inspired film adaptation of Charley's Aunt, but it will definitely make you laugh.
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Charley Rivoire, a mature student in architecture at the university of Paris, is grateful for the two-room apartment that his godmother, the wealthy Gabrielle de la Motte, has put at his disposal.  The apartment becomes uncomfortably small when Charley's fellow students move in with him.  When Monsieur de Saint-Sevran offers to rent his luxuriously furnished house to his godmother at a ridiculously low price, Charley can hardly believe his good fortune.  Unfortunately, Madame de la Motte is out of the country and has no need to take Saint-Sevran up on his offer.  Charley's supposed friends persuade him to pass himself off as his godmother so that they can move into Saint-Sevran's stately residence.  Only then does Saint-Sevran's motive for offering his house to Madame de la Motte become apparent.  He intends marrying the old woman so that he can help himself to her fortune...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Pierre Chevalier
  • Script: Pierre Chevalier, Jean Girault, Brandon Thomas (play)
  • Cinematographer: Walter Wottitz
  • Music: Jean Constantin
  • Cast: Albert Michel (Gaston), Fernand Raynaud (Charley Rivoire), Claude Véga (Luc), Annie Auberson (Rosie Clémence), Renée Caron (Annick), Monique Vita (Minou), Sacha Briquet (Jacques), Jean-Pierre Cassel (Claude), Jean Juillard (Raymond), Hubert Deschamps (Le vendeur de voitures), Germaine Delbat (La concierge), Max Montavon (Le sommelier), Paul Préboist (Le vigile), Florence Blot (La patronne du magasin de vêtements), Pierre Bertin (M. de Saint-Sevran), Lucien Barjon, Maguy Horiot, Bernard Musson, Géo Valdy, Rivers Cadet
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 87 min

The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright