The most interesting of the thrillers that Serge Leroy directed in the
1970s and '80s is this topical neo-polar which explores the dilemmas
faced by journalists when trying to expose political
scandals. Coming in the wake of a series of real-life
political exposés, the film was relevant for its time and
continues to be relevant, although today (thanks to the growth of the
internet and instant communication) it looks as if the shoe is now
distinctly on the other foot. Whilst the film is poorly plotted
and stylistically bland (Leroy directed some of the dullest French
polars), compelling central performances from Philippe Noiret and
Nicole Garcia make it eminently watchable.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Catherine Carré presents the French evening news with charm and
an irreproachable professionalism. However, her personal
ambitions and journalistic integrity come into conflict when news
reporter Yves Dorget, an old flame of hers, uncovers evidence that the
French government has been complicit in the illegal sale of arms to a
developing country. When Catherine is given a video cassette
that confirms Dorget's story, she decides to broadcasts its
contents. Immediately, the government acts to discredit
her...
Cast:Philippe Noiret (Yves Dorget),
Nicole Garcia (Catherine Carre),
Roland Blanche (Andre Villechaise),
Michel Subor (Xavier Mareche),
Jean Lescot (Superintendant Berchner),
François-Eric Gendron (Remy Marie),
Christian Bouillette (Giovanetti),
Bernard Freyd (Ministre porte parole du Gouvernement),
Jean-Claude Brialy (TV director),
Mireille Delcroix (Mr Santini),
Toni Cecchinato,
Pierre Fabien,
Pascal Légitimus,
Danielle Durou,
Arlette Gilbert,
François Duval,
Pierre Aknine,
Gilda Albertoni,
Anne Aubriot,
Pierre Belot
Country: France
Language: French
Support: Color
Runtime: 95 min
Aka:The Fourth Power
The best of American film noir
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.