Film Review
Le Double de ma moitié
is the second of two films made for cinema by Yves Amoureux, a fairly
obscure director who spent a larger proportion of his career working
for television. In a similar vein to his first film
Le
Beauf (1987), it is a zany comedy which takes a well-worn
concept and reworks it into an enjoyably daft piece of lowbrow
entertainment. The use of doubles in comedy is hardly avant-garde
but Amoureux and his screenwriter
Paul Berthier give the basic premise a good run for its money, assisted
by a likeable triumvirate of lead actors that comprises Bernard
Giraudeau, Zabou Breitman and Marc Lavoine, all at their comedic best.
Any film featuring the multi-talented Zabou (the actress's preferred
name at the time) is worth seeing, so any film in which she appears
twice has to be pretty darned unmissable (if you'll forgive the
Americanism). Although she would later gain distinction as a film
director, with such intelligent and engaging films as
Se souvenir des belles choses
(2001) and
Je l'aimais (2009), it is
worth reminding ourselves that she was (and still is) an accomplished
actress, excelling in both dramatic and comedic roles.
Le Double de ma moitié looks
as if it may well have been written for her in mind, so perfectly does
she fit the two main characters and so easily does she extract the
maximum comedy mileage from the nougats of old-fashioned farce that
come her way. Playing twin sisters and giving them separate
identities is not the easiest of tasks but Zabou pulls it off
magnificently.
Likewise, Bernard Giraudeau is better known as a straight dramatic
actor, often called upon to play sinister characters with a touch of
the perverse in his later years. Here he reminds us just how well
he could play comedy whilst, at the same time, turning in a credible
character portrayal. The big surprise is Marc Lavoine, the
popular singer who turned actor in the mid-1980s - it is hard to think
of another film in which he gives so much entertainment value.
Lavoine isn't just funny, there is also a touch of Shakespearean
tragedy about him as his character falls foul of his rival's cruel
machinations, to be ultimately driven insane by an imaginary
mosquito. On balance, the pace of the film is a little too uneven
and the plot just a little too predictable for it to rank as a classic,
but thanks to the spirited contributions from its lead actors it packs
in plenty of laughs (especially in its evil
Pygmalion send-up) and
reaches parts that most mainstream comedies which resort to below-the-belt horseplay
cannot reach.
© James Travers 2013
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In Paris, Thierry Monttino manages a successful fashion house with his
wife Cécile. When he discovers that his wife has been
having an affair with Jérôme Quantas, one of their
associates, and is planning to sell their company behind his back to a
group of financiers Thierry is devastated. He is on the point of
killing himself when fate throws at his feet Cécile's twin
sister Suzy. The latter, a fairground worker with a strong
Marseille accent, has recently arrived in the capital after a violent
falling out with her boyfriend. Noticing the striking resemblance
between the two sisters, Thierry offers Suzy a large sum of money if
she will agree to impersonate Cécile. He has a cunning
plan...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.