Film Review
With a ridiculously protracted pre-credits announcement warning us of
the social scourge that is prostitution,
Les Compagnes de la nuit looks as
if it was conceived as either a public information film or a piece of
social realist commentary. In fact, it is neither of these
things, but a plodding, and mostly dull, melodrama that would have been
dated if it had been made a decade earlier. Directed by Ralph
Habib with no obvious flair or engagement with the subject matter, the
film serves up the familiar stack of well-worn clichés and, far
from being socially relevant, looks like a third rate pot-boiler that
has distinctly gone off the boil.
Raymond Pellegrin is wasted in a role that is the blandest caricature
of the kind of low-life part that he was often required to play as his
career took a downward slide, and Suzy Prim and Noël Roquevert
fair little better. Louis de Funès shows up briefly in one
scene, shamelessly indulging in a spot of scene-stealing during a
murder before being swiftly elbowed into the background. Only
Françoise Arnoul comes out of this near-disaster with any
dignity, and it is her presence alone that provides the sliver of
modernity and realism that the film badly needs. Stilted and
painfully lacking in originality,
Les
Compagnes de la nuit
would have as much life as a week-old corpse without Arnoul's eerily
beguiling performance.
© James Travers, Willems Henri 2015
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In 1950s Paris, two events take place which apparently have no
connection. The police are concerned with the corpses of two
murdered women. A short time later, in a café in the
capital's red light district, Olga Viterbo has just gunned a man
down. At the police station, Inspector Marechal listens
attentively to the distressing confession of a girl who, like so many
others, has fallen into prostitution. It all began when Olga left
the reformatory, her luggage including a baby which its father refused
to recognized. When she meets Paul, an honest worker, fortune
seems to smile on Olga, as Paul appears keen to take her under his
wings. But then she encounters Jo Verdier and is dazzled by his
charming personality. Before she knows it, Olga has fallen into
the clutches of a squalid pimp. When, after a while, Jo gets
himself involved in a murder case, Olga uses this opportunity to sneak
away and return to Paul. But she hasn't heard the last of Jo...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.