Les Filles ne savent pas nager (2000) Directed by Anne-Sophie Birot
Drama
aka: Girls Can't Swim
Film Review
Anne-Sophie Birot made an impressive directorial debut with this strikingly realist portrait
of adolescent rebellion and self-discovery. Whilst the film's pacing is somewhat
uneven (the first half being rather slow and incoherent), it is nonetheless a noteworthy
film, thanks largely to the convincing performances of its two young lead actresses, Isild
Le Besco and Karen Alyx.
The film's depth and power only becomes apparent in its second half, when we see the contrast
between Gwen and Lise and then their heart-breakingly tragic reunion. The raw beauty
of the Brittany setting, captured by the excellent cinematography, heightens the film's
impact and somehow emphasises the vulnerable and wayward nature of the two girls.
It is a pity that the film relies on an unlikely shock ending to close the narrative when
a more probable, naturalistic ending would perhaps have been and more effective.
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Film Synopsis
Gwen and Lise are two young teenagers who meet up once a year during their
holidays and keep in touch throughout the rest of the year by writing to
one another. Gwen lives in Brittany with her family of fisherfolk who
are struggling to make a living. Lise lives in the city and is presently
finding it hard to cope with the recent death of her father. Lise expects
words of comfort from her friend, but Gwen is far too preoccupied with her
new boyfriend. When the girls meet their holiday does not go as planned.
They no longer seem to able to make contact with each other. It is
as if, suddenly, they have become two completely different people...
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.