Les Gens en maillot de bain ne sont pas (forcément) superficiels (2001)
Directed by Eric Assous

Comedy / Romance
aka: People in Swimsuits Aren't (Necessarily) Shallow

Film Review

Abstract picture representing Les Gens en maillot de bain ne sont pas (forcement) superficiels (2001)
Having earned a reputation as a scriptwriter (with numerous contributions for radio, television, theatre and the cinema), Eric Assous made his directorial debut with this sunny romantic comedy.  There are echoes of an earlier French comedy classic, Les Bronzés (1978) - the setting is similar, as are many of the characters and some of he jokes.   Whereas that previous film about sun, sea and sex was more consciously satirical in its approach, Assous' film is more realistic - closer in style to Eric Rohmer's Pauline à la plage.

This is an enjoyable little film which offers some poignant reflections on life and many situations most audiences should be able to relate to.  It features a talented young cast of actors, many of whom we can expect to see a great deal more of in futures years.  Assous' writing skills are evident in a script which sparkles with wit, imagination and insight.  The film's subject matter and its large array of characters prevents it from becoming too deep and introspective, which is just as well since its main raison d'être is to entertain.
© James Travers 2003
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

When she finds out that her lover Philippe is planning to spend his holiday with his wife and children in the Antilles, Camille is furious.  She books a flight for the same destination and sets out to wreck Philippe's holiday - and his marriage.  At the same location, a lesbian couple Pauline and Anita find their relationship tested to breaking point when Pauline meets up with an old flame and Anita develops a skin infection.  An impoverished young Arab, Aziz (who was given the holiday tickets as a present from his generous employer) tries to keep his hypoactive younger brother in check - with limited success.  Meanwhile, Carla is just out to have a good time whilst Laurette, hoping to find the man of her dreams, finds herself falling for the charms of the holiday camp organiser, Jimmy...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Eric Assous
  • Script: Eric Assous
  • Cinematographer: Gilles Henry
  • Music: Jean-Claude Petit
  • Cast: Isabelle Gélinas (Laurette), Agnès Soral (Anita), Gad Elmaleh (Jimmy), Serge Hazanavicius (Philippe), Véronique Boulanger (Pauline), Sandrine Le Berre (Camille), Vanessa Gravina (Carla), Maher Kamoun (Aziz), Yasmine Belmadi (Rafik), Edouard Montoute (Lulu), Pascale Pouzadoux (Jeanne), Isabelle Alexis (La jeune femme au bar), Reedan (Rodolphe), Phyllis Yordan (Mathilda), Peggy Smithhart (Rosie), Gérard Chaillou (Devers), Karine Serrano (L'hôtesse de la réception), Arnaud Viard (L'employé de l'agence), Tadiè (Le docteur), Armelle Lecoeur (Magali)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 95 min
  • Aka: People in Swimsuits Aren't (Necessarily) Shallow

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright