Film Review
Adults behaving like children, children behaving like adults... This seems to be a recurring
theme in the cinema of director Pascal Thomas, the best example probably being his more
recent
Mercredi folle journée!
(2001).
Thomas's tongue-in-cheek, keenly observed comic situations abound
in this loosely structured romantic comedy which includes some hilarious (albeit slightly
artificial) flights of fancy. The film's main claim to fame is that it
marks the screen debut of Ludivine Sagnier, the future muse of François
Ozon (
Gouttes d'eau sur pierres brûlantes,
Swimming Pool),
an astonishing young actress who immediately impresses as a future star of French cinema.
Pascal Thomas's films have a tendency to cram too much into too small a space, and
this is perhaps the most noticeable failing of
Les Maris, les femmes, les amants.
With so many characters and so many concurrent story lines, this is a difficult film
to keep up with, and the fact there is a lack of focus and overarching
central theme weakens its impact somewhat. Nevertheless, the film has considerable
charm and Thomas is now well-equipped to make what will be his best film,
La Dilettante (1999),
the film that provided him with the perfect star for his series
of eccentric Agatha Christie adaptations...
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.
Next Pascal Thomas film:
La Dilettante (1999)
Film Synopsis
As is their custom during the summer holidays, a party of male friends descend
on the island of Ré with their children whilst their wives and girlfriends
stay at home in Paris. As the women take advantage of the temporary
separation to take stock of their lives, the men are busy enjoying themselves
by indulging in their favourite pastime, the holiday romance. Martin's
attempt to engineer a love affair between his son Clément and Annette,
the babysitter of his friend Michel, backfires when Clément falls
for Jacqueline, the wife of a dour pharmacist. Rejected by his wife,
Bruno becomes easy prey for an oversexed widow, Pichard. Back in Paris,
Martin's wife Dora is struggling with her daughter Émilie's amorous
escapades, whilst the pathologically jealous Marie-Françoise spies
on her husband's secretary...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.