Lumière et compagnie (1995)
Directed by Theodoros Angelopoulos, Vicente Aranda

Documentary
aka: Lumière and Company

Film Review

Abstract picture representing Lumiere et compagnie (1995)
To celebrate the centenary of the Lumière brothers' invention of the cinematograph (the forerunner of the modern film camera), 39 distinguished film directors from across the world took up the challenge to make a short film using the Lumières' original equipment.  The films had to be 52 minutes in length, not use synchronised sound and take no more than three takes.  The difference in cinematic styles and cultural backgrounds is reflected in the resulting series of films, which range form the banal to the surreal and frankly bizarre.

Disappointingly, only a few of the directors managed to come up with an imaginative short film.  Most were presumably content to have mastered the immense difficulties of making a film with such primitive equipment.  Of particular note are the films recorded by Michael Haneke (a summary of the news on the day of the Lumieres' anniversary), Régis Wargnier  (a touching portrait of French president François Mitterand, a few months before his death) and David Lynch (a block-buster sci-fi/horror mini-epic).  The films also includes a few of Louis Lumiere's original films, magnificently restored.

The film also goes in front of the camera and allows the film-makers to express some of their thoughts about their art.  Here again only a few of the great men and women have anything original to say.  Whilst it would be unfair to say that this film was a wasted opportunity, it is certainly does contain a lot of mediocre material and is hardly a fitting tribute to the birth of cinema.
© James Travers 2002
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

To mark the centenary of the invention of the cinematograph by the Lumière brothers in 1885, forty filmmakers from around the world each contribute a 52 second film, shot with the Lumières' original camera...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.

Similar Films

Here are some other films you may enjoy watching:

Other related links:

Film Credits

  • Director: Theodoros Angelopoulos, Vicente Aranda, John Boorman, Youssef Chahine, Alain Corneau, Costa-Gavras, Raymond Depardon, Francis Girod, Peter Greenaway, Lasse Hallström, Hugh Hudson, Gaston Kaboré, Abbas Kiarostami, Cédric Klapisch, Andrey Konchalovskiy
  • Script: Philippe Poulet
  • Cinematographer: Didier Ferry, Frédéric LeClair, Sarah Moon, Philippe Poulet
  • Cast: Jeffe Alperi (Policeman - David Lynch), Romane Bohringer (Claude Miller), Michele Carlyle (David Lynch), Lou Chapiteau (Claude Miller), Marc Chapiteau (Claude Miller), Antoine Duléry (Claude Lelouch), Pascal Duquenne (Jaco Van Dormael), Bruno Ganz (Damiel - Wim Wenders), Charles Gérard (Claude Lelouch), Ticky Holgado (Claude Lelouch), Neil Jordan (John Boorman), Patrice Leconte (Himself - Sarah Moon), Satchel Lee (Spike Lee), Spike Lee (Himself - Sarah Moon), Claude Lelouch (Himself - Sarah Moon), Stan Lothridge (Policeman - David Lynch), David Lynch (Himself), Alessandra Martines (Claude Lelouch), François Mitterrand (Himself - Régis Wargnier), Liam Neeson (John Boorman)
  • Country: France / Denmark / Spain / Sweden
  • Language: French / English / Danish / Norwegian / Swedish / Greek / Japanese / Mandarin
  • Support: Black and White / Color
  • Runtime: 88 min
  • Aka: Lumière and Company

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright