Film Review
One of the most tense, traumatic and well-paced thrillers of the
seventies,
Marathon Man still
manages to chill the blood with its set-piece torture scene, a supreme
piece of cinematic nastiness that is guaranteed to put you off ever
seeing a dentist again. In an Oscar-nominated role that
reinvigorated his career at a time when he was in poor health, Laurence
Olivier creates one of cinema's most memorable villains, the sadistic
Nazi war criminal Dr Szell. In stark contrast to the overly
theatrical turns of his earlier years, Olivier is subdued and quietly
menacing here, just sufficiently sinister
to scare the living bejesus out of his
audience. His line "Is it safe?", repeated several times in a
flat but vicious monotone, is one that will haunt you forever.
Dustin Hoffman also turns in a respectable performance, totally
convincing as the dog-eared university student who is plunged into a
Kafkaesque world of shadows and intrigue. The raw energy that
Hoffman brings to the film helps to keep up the momentum, even when the
plot begins to sag and fragment towards the middle. And the plot
is the film's blistered Achilles heel. Beset by contrivances
which attain ridiculous heights of unbelievability and with numerous
story strands that don't quite come together, it is amazing that the
film works as well as it does.
Proving that a good film doesn't necessarily have to rely on a good
plot, John Schlesinger brings an auteur's enthusiasm and ingenuity to
his direction. Note how skilfully he and his crew use the
subjective camera to draw the audience into the drama and convey the
kind of intense visceral violence which could not, at the time, be
explicitly shown on the screen. The film's pace and slick
stylisation distract us from the numerous gaping plot cavities and
keep us hooked right up until the famous jewel swallowing
denouement. Olivier's sepulchral presence adds to the cold realism of the
piece, helping to make this one of Hollywood's most disturbing and
riveting thrillers. After watching
Marathon Man, that trip to the
dentist will never be the same again. Is it safe? Is it
safe? No, it's bloody terrifying.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Babe Levy is a graduate student at Columbia University who is still
haunted by the suicide of his father, an alleged victim of the McCarthy
witchhunts. His older brother Doc shares none of his anxieties
and has made a successful career in the oil business - at least, that
is what he wants Babe to think. In truth, Doc is a covert US
government agent, working in murky areas that neither the FBI nor the
CIA would touch. Doc has returned to New York in pursuit of
Szell, a Nazi war criminal who has been exposing other former Nazis for
cash. Although now in his late sixties, Szell is still a
dangerous and ruthless man, as Doc discovers when they meet.
Having received a fatal stab wound from Szell, Doc manages to drag
himself to Babe's apartment and dies in his brother's arms. Not
long afterwards, Babe is visited by one of Doc's associates, who warns
him that he is in great danger. Sure enough, Babe is captured by
Szell's henchmen and taken to the former Nazi, who is convinced that
the student knows more than he should. Szell's field of expertise
is using dentists' tools to extract the truth from his victims.
Babe's nerve-wracking nightmare has only just begun...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.