This engaging comedy-drama stars Michel Boujenah and Zabou, two very likeable actors who
have a pleasing on-screen chemistry and great comic timing. Whilst the plot is a
little pedestrian, the ending a bit too predictable, the script does contain some irresistibly
funny comic situations and the film is, overall, curiously satisfying. The sunny
photography adds a touch of wistful poignancy to offset the comedy, beautifully complementing
Michel Boujenah's sympathetic tragicomic characterisation.
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Film Synopsis
Modest shop assistant Arthur is shocked when he hears that his adopted grandmother has
died in a car accident. He gives up his job and his girlfriend and heads straight
for her sprawling family estate, for which he holds a special affection. Arthur
is delighted to hear that his grandmother has bequeathed the estate equally to him and
her true granddaughter, Sarah. Unfortunately, Sarah, now a successful businesswoman,
plans to demolish the house and build a modern complex on its site. Appalled, Arthur
will do anything to thwart her plans…
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.