Film Review
If you are going to parody a much-loved genre this is the way to do
it.
OSS 117: Le Caire nid
d'espions is such a convincing pastiche of the spy thrillers
that dominated mainstream cinema in the early 1960s that you could almost swear it
was unearthed from a time capsule. Not only does it perfectly
capture the mores and attitudes of the era (including some political
incorrectness that is now positively shocking) but it exactly
reproduces the look and feel of these old spy films, including the slightly
faded colour tint, a surfeit of erotic clichés and some
hideous use of back projection. But this is far from being a
straightforward send-up of an old genre, intended merely to entertain
and sate our nostalgia lust. It is one of the first film made in
France in which the country faces up to its colonial past and admits,
with uncharacteristic Gallic candour: yes, it was pretty appalling,
wasn't it?
Coming in the wake of the doomed Iraq war and during what looks like
being an equally misguided adventure in Afghanistan, the film has a
particular resonance for today's audience with its far from flattering
portrayal of how the West treats other cultures and ethnic types.
The hero, special agent OSS 117, is the epitome of the culturally and
racially ignorant westerner, the kind of man who, whilst exuding
an air of smug superiority, still thinks Egypt is
ruled by pharaohs and who and doesn't think twice about socking a
Muezzin in the jaw so that his beauty sleep isn't disturbed by the dawn
call to prayers. What at first appears to be an outrageous spoof
rapidly acquires a horrible ring of truth when you pause and reflect on
recent attempts by the West to
civilise
the rest of the world. This film leaves us in no doubt as to who
the real barbarians are in our fragmented and culturally diverse world.
Originally, in the novels written by Jean Bruce, OSS 117 was an
American agent, working for the OSS, the intelligence gathering
department that preceded the CIA. The character appeared in a
series of hugely popular French films in the 1950s and 60s, ultimately
ending up as France's answer to James Bond. In this latest
incarnation, the indestructible secret agent is played by rising star
Jean Dujardin practically as a Sean Connery look-alike. Dujardin
has great fun emulating some of Connery's trademark 007 mannerisms
(notably the humorous eyebrow twitching, which says more than any
amount of dialogue). There's absolutely no attempt to
conceal the fact that Dujardin's portrayal is meant to be a Bond rip-off - even the
film's trailer says as much with its quip: "OSS 117, un peu de Sean,
beaucoup de conneries..." Fast-moving, witty and
deliciously ironic, this is probably the best parody of a James Bond
film that you will ever see. It is certainly the funniest.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
In 1955, Cairo is a hornet's nest of political intrigue, with several
countries fighting for their vested interests. When one of his
government agents is killed in the Egyptian capital, the French
President sends a replacement in the form of Hubert Bonisseur de la
Bath, code name OSS 117. On what may prove to be his most
dangerous assignment yet, this legendary agent has to contend with the
family of a deposed king and an ambitious religious sect.
Luckily, he has the beautiful Larmina to help him...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.