Film Review
Former assistant to Luis Buñuel and Jules Dassin, Jacques Deray
released his fourth crime drama,
Par
un beau matin d'été, on the 17th February
1965. Based on a book by James Hadley Chase, the simple storyline
(involving crooks and gangsters who kidnap a young heiress and hold her
to ransom) is perhaps a little familiar. It has to be said that
the film is, overall, unremarkable but it benefits from a fine cast and
some crisp photography of its sun-drenched countryside locations.
If the first half is generally light-hearted, it becomes more serious
when the criminals begin to deal with the dramatic consequences of
their actions.
Some critics have said that because of its uneven pace and lack of
action the film has difficulty taking flight, and the magnificent score
from Michel Magne makes a stark contrast with Michel Audiard's
uninspired dialogue. Others have said that Jacques Deray does a
fine job of sustaining tension where there is none. Nevertheless,
almost everyone agreed that some intriguing plot developments maintain
the viewer's attention in a movie strewn with tense moments.
The superb cast is headed by the biggest French star of the time,
Jean-Paul Belmondo, although he seems a little lost and wasted on this
lacklustre crime film. Perhaps the most striking presence in the
film is that of the sparkling Sophie Daumier, who plays Belmondo's sexy
sister. Special mention goes to the actor Georges Geret, and a
very young Geraldine Chaplin makes a remarkable debut as Zelda.
The supporting players include Jacques Monod, Italian actors Gabriele
Ferzetti and Adolfo Celli, as well as the wonderful American-Armenian
actor Akim Tamiroff.
Par un
beau matin d'été may have been a critical and
artistic failure, but this did not prevent it from attracting an
audience of 1.5 million.
© Willems Henri (Brussels, Belgium) 2012
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Next Jacques Deray film:
Avec la peau des autres (1966)
Film Synopsis
On the Côte d'Azur, Francis and his sister Monique make a
comfortable living by dubious means. Monique lures men to her
bedroom where, in the course of their lovemaking, they are surprised by
Francis, who demands financial reparation to avoid a scandal.
Bored with this way of life, Francis and Monique allow a hoodlum to
talk them into participating in a kidnapping that will earn them
millions in one fell swoop. In Spain, they succeed in abducting
the teenage daughter of a wealthy man, but all too soon the plan begins
to unravel, with dramatic consequences...
© James Travers
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