Film Review
In the rich and diverse filmography of the French-Armenian director
Henri Verneuil there are a number of forgotten and underrated
films. One of these is
Paris, Palace Hôtel, a Franco-Italian film that was first screened in
Paris on 19th October 1956. Coincidentally, this was the day on
which Marcel Carné's
Le Pays d'où je
viens was released - both films are good-natured rom-coms set at
Christmas time, both are minor entries in their director's oeuvre and
they share the same leading lady! Like Carné, Verneuil
brings verve and sophistication to a lightweight crowd-pleaser, making
the best of his mediocre script and extracting as much humour as
possible from the comic scenes, the most memorable of which takes place
in a prison. Photography is provided by the master Philippe
Agostini and the colourful sets are the work of Jean d'Eaubonne.
On the casting front, Verneuil brings together an old diva, Charles
Boyer, and rising star, Françoise Arnoul - a marriage made in
Heaven. One of France's leading film stars for four decades,
Boyer brought Gallic charm to Hollywood in the 1930s and appeared
opposite some of the most iconic actresses, including Marlene Dietrich,
Greta Garbo and Bette Davis. In
Paris, Palace Hôtel, his 58th film, Boyer makes a rare return to his
home country to assume the role of a roguish middle-aged
Casanova. As was often the case in his later years, Boyer's
distinguished presence makes the film feel far more substantial than it
really is.
Playing the attractive hotel manicurist is the delightful
Françoise Arnoul, her last collaboration with Verneuil.
She had previously starred in four of the director's films:
Le
Fruit défendu (1952),
Le Mouton à cinq pattes
(1954),
Des gens sans importance (1955)
and
Les Amants du tage (1955).
Roberto Rossi was imposed on Verneuil by the film's Italian producers -
he plays the young garagist, with noticeably less restraint than his
co-stars. The supporting cast includes several familiar faces -
Raymond Bussières, Julien Carette, Louis Seigner, Darry Cowl and
Georges Chamarat - and Tilda Thamar, an actress of argentine origin who
is a suitable choice for the part of Boyer's wife.
Paris, Palace Hôtel may not
have enjoyed anything like the longevity of many of Verneuil's other
films but it was a significant box office success in its day,
attracting an audience of 2.3 million in France. Now Henri
Verneuil fans can re-discover this forgotten gem on a DVD release which
is available from May 2013.
© Willems Henri (Brussels, Belgium) 2013
The above content is owned by frenchfilms.org and must not be copied.
Next Henri Verneuil film:
Une manche et la belle (1957)
Film Synopsis
Françoise Noblet is a young manicurist who works at a high class
hotel in Paris. One Christmas Eve, she meets Monsieur Delormel, a
wealthy businessman who offers her an evening she will never
forget. But Françoise is more interested in a
handsome young man named Gérard who, unbeknown to her, has been
charged with delivering a Cadillac to Delormel. Gérard is
equally taken with Françoise, but is afraid that she will cease
to have any interest in him when she learns that he is no one of
importance. What is he to do when Françoise lets slip that
she is Delormel's daughter...?
© James Travers
The above content is owned by frenchfilms.org and must not be copied.