Passage à l'acte (1996)
Directed by Francis Girod

Thriller

Film Review

Abstract picture representing Passage a l'acte (1996)
Francis Girod directed this unusually cerebral thriller, a creepily dark film which explores the shortcomings and potential dangers of psychoanalysis.   There's a splendidly introspective performance from Daniel Auteuil, but the film really belongs to his lesser known co-star, Patrick Timsit, who is appropriately chilling as the central villain of the piece.  Whilst the film manages to hold the spectator's interest, the complexity of the narrative is a bit of a turn off, as is the fact that the plot becomes increasingly implausible as things progress.  The film may have worked better as a black comedy, along the lines of Grirod's better known work Le Trio infernal (1974).  As a straight thriller, Passage à l'acte is not a bad example of its genre, but the direction feels heavy-handed in places and, on reflection, the story is more than a little contrived.
© James Travers 2005
The above content is owned by frenchfilms.org and must not be copied.
Next Francis Girod film:
Terminale (1998)

Film Synopsis

Antoine Rivière has made a name for himself, both as an author of several noteworthy books and as a reputable psychoanalyst.  Money always seems to be lacking, so he ends up having to take on more patients than he perhaps ought.  Edouard Berg is one patient of his that a more discriminating man of his profession would have sent away after the first consultation.  Berg's admission that he has murdered his wife Laura intrigues Antoine more than it shocks him, but he cannot be sure whether the man is lying, deluded or telling the truth.  When his mentor, Meyer, then dies in a car accident he becomes very suspicious.

Antoine's concerns are confirmed when, through a former colleague of Meyer, he learns of a worrying connection between Berg and Meyer.  It seems that, some years ago, Meyer had as one of his patients a wealthy heiress, Isabelle d'Archambault, who was in a turbulent relationship with a man named Henri Fontaine.  It would seem that Fontaine and Berg are one in the same man.  Meyer's monstrous ill-treatment of Fontaine would seem to be justification enough for the latter to embark on a campaign of revenge against him and his associates.  If this is so, then Antoine is likely to be the killer's next victim...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Francis Girod
  • Script: Francis Girod, Michel Grisolia, Gérard Miller, Jean-Pierre Gattegno (novel)
  • Cinematographer: Charles Van Damme
  • Music: Alexandre Desplat
  • Cast: Daniel Auteuil (Antoine Rivière), Patrick Timsit (Edouard Berg), Anne Parillaud (Isabelle), Michèle Laroque (Florence), Marianne Denicourt (Nathalie), Clotilde de Bayser (Hélène), Jean-Michel Noirey (Guérin), Marc Berman (Montagner), Anne-Marie Philipe (Rosine), Marc Chouppart (Davenne), Florence Viala (Nina), Anthony Decadi (Charles), Hélène Fillières (Alexandra), Romain Legrand (Simon), Anne Le Ny (Fabienne), Gérard Touratier (Gauthier), Anne Jacquemin (La femme sur la photo), Aurélien Recoing, Pierre Amzallag, Thierry de Carbonnières
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 105 min

The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright