Film Review
It was immediately after his acclaimed
Chinatown
(1974) that Roman Polanski set about fulfilling a long-held personal
ambition, to make a full-blown swashbuckling adventure film, in
the mould of such earlier classics of the genre as
Captain
Blood (1935) and
The Sea Hawk (1940). Jack
Nicholson, the star of
Chinatown,
was the director's original choice for the lead part, the
decrepit and generally disgusting pirate Captain Red, but the
actor's demands for an exorbitant fee was one of the factors that
delayed the project for several years. It was only after a seven
year break from filmmaking in the 1980s, during which Polanski directed
and starred in a stage production of Peter Shaffer's
Amadeus, that the director was
finally able to put his swashubuckler
Pirates
into production, with the backing of Tunisian film producer Tarak Ben
Ammar.
The part that was originally conceived for Jack Nicholson was
ultimately conferred on Walter Matthau, a bizarre choice that
contributed to the film's poor reception by critics and
audiences. Let down by a script which fails to put flesh on the
bones of any of the characters in the film, Matthau muddles his through
this fiasco as best he can (looking unsure whether it is a genuine
swashbuckler or just a silly send-up), but for the most part he appears
lost at sea (the opening sequence being an apt visual metaphor for what
ensues). The eccentric casting aside,
Pirates suffers from a dismal lack
of narrative structure and essentially boils down to a succession of
standalone set-pieces which fail to gel into a coherent whole.
It's like a compendium of pirate movie 'best bits', none of it adding
up to much, even if the film is directed with Polanki's customary gusto
and meticulous precision. The film is just about saved by its
dramatic visuals, the star of the show being an authentic mock-up of a
17th century galleon, but without a coherent story the film drifts
pretty aimlessly. It is left to composer Philippe Sarde to pull
the whole thing together as best he can with a score which, ironically,
is one of his finest.
Pirates is not only Roman
Polanski's least successful film from an artistic point of view, it was
also his biggest commercial failure. The film was originally
allotted a budget of 15 million dollars but ended up costing around 40
millions. The film struggled to take much more that seven million
dollars at the box office worldwide, and it caused Polanski further
grief when, in 2010, one of his actors, Charlotte Lewis, accused him of
sexual misconduct. Although the director swiftly won back the
critics with his next film,
Frantic (1988), this proved to
be another commercial setback. The spectacular flop that was
Pirates pretty well killed off the
swashbuckler genre for several years, although it made a spectacular
return from the dead in 2003 with
The
Curse of the Black Pearl, the first in the phenomenally
successful series of
Pirates of the
Caribbean films. Now if only Roman Polanski had had the
foresight to cast Johnny Depp in the role of Captain Red things might
have been different...
© James Travers 2015
The above content is owned by frenchfilms.org and must not be copied.
Next Roman Polanski film:
Frantic (1988)
Film Synopsis
On a sea infested with sharks there drifts a raft carrying two
half-starved wretches: the famous pirate Captain Red and his young
second-in-command, La Grenouille. Spotting a Spanish galleon,
they climb aboard and discover that it is carrying two treasures - a
golden Aztec throne and the beautiful young niece of the governor of
Maracaibo, Dolorès. With the captain on his deathbed, his
lieutenant, Don Alfonso Felipe, has taken over the running of the crew
with an iron hand. Having thwarted a mutiny, Captain Red takes control
of the vessel...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.