Pur week-end begins as what
looks suspiciously like a feeble parody of Philippe Harel's Les Randonneurs (1997) but soon
manages to lose its way in the mountains and ends up resembling a stray
sheep. Olivier Doran's second feature manages to be even more
amateurish and structureless than his first, Le
Déménagement (1997), and with none of that
film's rookie charm. With a few notable exceptions (Kad
Merard, François Berléand, Bruno Solo) the performances
are risible, although given the quality of the writing this is hardly
surprising. Think of any trite cliché involving mid-life
crisis, strained domestic relationships and police tactics, and you
will surely find it in this cobbled together heap of caricatured
nonsense. Some films are just too painful to watch, and this is
one of them.
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Film Synopsis
As they do every Easter for longer than they care to remember, seven close
friends meet up in Lyon before setting off on their arduous annual ramble.
Their objective: to reach the summit of Mount Iseran in the French Alps.
Unfortunately, this year things are somewhat different, because, unbeknown
to his fellow hikers, one of the seven, David, has just absconded from prison.
Unaware that a massive police hunt is under way to locate the errant convict,
the party begins its mountain climb without the slightest inkling of the dramas
that lie in store...
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.