Quartier V.I.P. (2005)
Directed by Laurent Firode

Comedy / Crime

Film Review

Abstract picture representing Quartier V.I.P. (2005)
Quartier V.I.P. is a perfect example of the truism that a great cast does not necessarily result in a great film, bien au contraire.  The idea that you can throw a collection of well-regarded actors at a mediocre screenplay and end up with anything worth watching has been shot down spectacularly in recent years but rarely as effectively as in this tepid comedy consisting of a tiresome concoction of recycled gags and the most poorly constructed of storylines. 

The risible screenplay is made almost unbearable by the insipid direction and some appalling examples of histrionic ineptitude (the prime example being Jean-Claude Brialy's mincing queen, enough to set your teeth on edge and cause you to choke on your own bile).  Although he is far better rated as a singer than an actor, French cultural icon Johnny Hallyday has shown in some recent films - notably Patrice Leconte's L'Homme du train (2002) - that he does have some talent in the dramatic arena, but here he looks positively comatose, and, given the material he has to work with, who can blame him?  The only spectators who are still awake and watching by the time the closing credits roll are those with an exceptionally high boredom threshold or a dangerously high level of caffeine in their bloodstream.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Alex is a prison warden who carries out his duties professionally, spurning the crooked activities that some of his colleagues indulge in.   But when he is moved to a new prison, he is made an offer that he can't refuse.  The wealthy businessman Bertrand Fussac has just been incarcerated for fraud and his wife Claire has added to his woes by stealing a large sum of money from him.  Bertrand offers Alex a fortune if he will help recover the money.  The plan is that Alex will present himself to Claire as a businessman, win her confidence, and persuade her to invest the money she has stolen in bogus investments.  Despite his scruples, Alex agrees to help Bertrand...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits


The very best of the French New Wave
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A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The very best of Italian cinema
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Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The very best fantasy films in French cinema
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Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best of German cinema
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German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best French Films of the 1920s
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In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

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