Salò, or the 120 Days of Sodom (1975)
Directed by Pier Paolo Pasolini

Drama / Thriller / War
aka: Salò o le 120 giornate di Sodoma

Film Synopsis

In Fascist Italy in 1944, four wealthy noble men meet to discuss their macabre plan, which will begin with the capture of nine young boys and nine young girls from the nearby villages.  With an army of servants and four prostitutes, the four noblemen - a duke, a bishop, a president and a judge - lock themselves away in a palace near to Marzabotto in the Republic of Salò.  The proceedings begin with the noblemen marrying each other's daughters...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Pier Paolo Pasolini
  • Script: Pier Paolo Pasolini, Pupi Avati, Sergio Citti, Marquis de Sade (novel)
  • Cinematographer: Tonino Delli Colli
  • Music: Ennio Morricone
  • Cast: Paolo Bonacelli (The Duke), Giorgio Cataldi (The Bishop), Umberto Paolo Quintavalle (The Magistrate), Aldo Valletti (The President), Caterina Boratto (Signora Castelli), Elsa De Giorgi (Signora Maggi), Hélène Surgère (Signora Vaccari), Sonia Saviange (The Pianist), Sergio Fascetti (Male Victim), Bruno Musso (Male Victim), Antonio Orlando (Male Victim), Claudio Cicchetti (Male Victim), Franco Merli (Male Victim), Umberto Chessari (Male Victim), Lamberto Book (Male Victim), Gaspare Di Jenno (Male Victim), Giuliana Melis (Female Victim), Faridah Malik (Female Victim), Graziella Aniceto (Female Victim), Renata Moar (Female Victim)
  • Country: Italy / France
  • Language: Italian / French / German
  • Support: Color
  • Runtime: 116 min
  • Aka: Salò o le 120 giornate di Sodoma

The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright