Film Review
With its gag-laden script, spirited performances and plethora of
hilarious slapstick routines,
Sons
of the Desert is easily one of Laurel and Hardy's better film
offerings. A reworking of the duo's earlier silent short
We Faw Down (1928), the film is a
merciless satire of two ripe-for-lampooning institutions, Masonic Lodges and
marriage, with Stan and Ollie yet again proving their male inadequacy
when it comes to dealing with the fair sex. A propos, the film's title gave
its name to the International Laurel and Hardy Society.
It is interesting that in this film Oliver Hardy's marriage looks like
a grotesque parody of his relationship with Stan Laurel. There is
an obvious role reversal, with Oliver the underdog, cowering under a
relentlessly domineering spouse. By contrast, Stan's marriage
appears to be a model connubial compact, since Stan naturally fulfils
the same subordinate role with his wife that he does with his friend
Ollie. The moral: if you want to save on broken china and live happily ever after,
find a complementary partner. Or buy a hard hat.
As was typical in the Laurel and Hardy films of the 1930s, the visual
gags are executed with faultless aplomb and never fail to elicit a
full-blown belly laugh. The scripted jokes are also pretty
inventive and provide further nougats of comedy gold. "Why did
you hire a veterinarian?" asks a dumbfounded Ollie. To which Stan
answers: "I didn't think his religion would make any
difference." Classic stuff.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
At a meeting of the Sons of the Desert, an all-male fraternal lodge,
Stan and Oliver take a sacred oath to attend the forthcoming conference
in Chicago. Stan is anxious that his wife will not let him go to
this, the most important event in the lodge's calendar, but Oliver
reminds him that the oath cannot, under any pretext, be broken.
If Oliver thinks he will have an easy task persuading his wife to agree
to his Chicago jolly he is mistaken. She has arranged for the
pair of them to go on a mountain trip and is no mood for
compromise. By feigning a life-threatening illness, Oliver
convinces his wife that he must take a recuperative trip to Honolulu
with Stanley. The ruse works like a treat but later backfires
when the boys return home after their frolicsome break in
Chicago. What they do not know is that the cruiser in which they
were supposed to make their return trip from Honolulu has sunk in a
typhoon. Hoping that Stan and Oliver are among the survivors who were
saved by a rescue trip, the two wives leave for the shipping offices -
just before the two hapless husbands return home. Stan is thrown
into a panic when he sees a newspaper report of the sinking, but Ollie
devises another foolproof scheme to save their bacon. They will
spend the night hiding in the attic and present themselves to their
wives in the morning, with a well-rehearsed account of the sinking and
their timely rescue. The scheme might have worked, had it not
been for the fact that the two women chanced to see a newsreel report
of the Sons of the Desert conference...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.