The Battle of the Century (1927)
Directed by Clyde Bruckman

Short / Comedy

Film Review

Abstract picture representing The Battle of the Century (1927)
Until recently, the only surviving footage of this two reel comedy was the five minute sequence containing the now legendary custard pie fight, the largest ever staged for a film.  This was preserved in tact thanks to its inclusion in Robert Youngson's 1965 Laurel and Hardy documentary.  In the 1980s, the first reel of the film (including the boxing match sequence) was unearthed, but the remaining footage of the second reel is still lost. 

With its similarities to Buster Keaton's Battling Butler (1926) and the flan-flinging films of Mack Sennett, Battle of the Century does not feel like a typical Laurel and Hardy offering.  Stan and Ollie's relationship hasn't quite solidified into the classic double act that we know today, but there are some tantalising tasters for what is to come.  However much Stan and Ollie abuse and exploit one another, however many pies they land in each other's face, their friendship remains intact, the one secure thing in a hostile and uncertain universe.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

Stan is a reluctant boxer, but Ollie, his manager, has high hopes.  Ollie's hopes are of course misplaced, as Stan is demolished with ease in his first fight.  The next day, a man who saw the disastrous contest sells Ollie an insurance policy on Stan.  Eager to make money from the policy, Ollie arranges a series of accidents, but these do not play out as intended.  Instead, the boys provoke a massive street battle involving custard pies.
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Clyde Bruckman
  • Script: H.M. Walker, Hal Roach
  • Cinematographer: George Stevens
  • Cast: Stan Laurel (Prize fighter), Oliver Hardy (Manager), Wilson Benge (Pie Victim in Top Hat), Ed Brandenburg (Warring pedestrian), Dorothy Coburn (Pie victim boarding auto), Lou Costello (Boxing Hall extra), George B. French (Dentist), Anita Garvin (Slips on pie), Dick Gilbert (Sewer worker), Charlie Hall (Pie delivery man), Jack Hill (Ringside spectator), Ham Kinsey (Ringside spectator), Sam Lufkin (Boxing referee), Eric Mack (Spectator), Gene Morgan (Ring announcer), Steve Murphy (Noah Young's Assistant), Jack O'Brien (Shoeshine Patron), Bob O'Connor (Warring pedestrian), Eugene Pallette (Insurance agent), Bert Roach (Ringside spectator)
  • Country: USA
  • Language: English
  • Support: Black and White / Silent
  • Runtime: 19 min

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright