The Black Sheep of Whitehall (1942)
Directed by Basil Dearden, Will Hay

Comedy / Thriller

Film Review

Abstract picture representing The Black Sheep of Whitehall (1942)
It is a little known fact that Basil Dearden, one of Britain's finest  directors, began his filmmaking career at Ealing Studios under the tutelage of Will Hay, at the time Britain's leading comic performer.  The Black Sheep of Whitehall was the first of three films that Hay and Dearden made together, a madcap wartime piece which sees the highly improbable pairing of Hay with John Mills, who had just been invalided out of Royal Engineers after been diagnosed with a stomach ulcer.  Once again, Hay is the loveably inept purveyor of education, this time assisted by Thora Hird in his attempts to wring humour from high school mathematics.  Nice work if you can get it.

Whilst certainly not the best of Will Hay's comedies, the film manages to be an fast-moving and enjoyable romp, best remembered for Hay's frequent changes of identity - one minute he's a bumbling old ticket collector, the next he's a rather fetching nursing sister.  Although Mills's acting talents are completely wasted here, his pairing with Hay is an inspiration and they form a surprisingly good double act.  The car chase sequence, in which this enterprising duo are pursued across country by ruthless Nazi agents, is one of the most memorable of Hay's entire film career.  This volley of anarchic fun makes a stark contrast with Ealing's subsequent comedies, which would be far more sophisticated and much less reliant on vaudevillian slapstick for laughs.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Basil Dearden film:
The Halfway House (1944)

Film Synopsis

Will Davis is the proprietor of a correspondence college that prides itself on its academic excellence, even if it has difficulty competing with the better known academic institutions.  The college's only pupil is Bobby Jessop, a junior employee at the Ministry of International Commerce in London.  When Jessop abandons his mathematic course and refuses to settle his fees, Davis storms into his office and threatens to ruin his career unless he pays up.  Jessop manages to placate Davis by offering to find him a job at the Ministry.  As he waits for Jessop to return, Davis is mistaken for a distinguished economics professor, Davys, who is to play a crucial part in agreeing a pact between Great Britain and the countries of South America.  The real Davys has in fact just been abducted by Nazi agents who are determined to wreck the pact, thereby depriving Britain of a valuable wartime ally.   Realising the truth of this, Jessop and Davis join forces and set about trying to find the missing professor...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Basil Dearden, Will Hay
  • Script: John Dighton, Angus MacPhail
  • Cinematographer: Eric Cross, Günther Krampf
  • Cast: Will Hay (Davis), John Mills (Bobby Jessop), Basil Sydney (Costello), Henry Hewitt (Professor Davys), Felix Aylmer (Crabtree), Owen Reynolds (Harman), Frank Cellier (Dr Innsbach), Joss Ambler (Sir John), Frank Allenby (Onslowe), Thora Hird (Joyce), Margaret Halstan (Matron), Barbara Valerie (Sister Spooner), Leslie Mitchell (Radio interviewer), George Woodbridge (Male Nurse), George Merritt (Stationmaster), Aubrey Mallalieu (Ticket Collector), John Boxer (Hotel receptionist), Cyril Chamberlain (BBC producer), Richard George (Hospital nurse), Kenneth Griffith (Butcher's boy)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 80 min

French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright