Film Review
It is a little known fact that Basil Dearden, one of Britain's
finest directors, began his filmmaking career at Ealing Studios
under the tutelage of Will Hay, at the time Britain's leading comic
performer.
The Black Sheep of
Whitehall was the first of three films that Hay and Dearden made
together, a madcap wartime piece which sees the highly improbable
pairing of Hay with John Mills, who had just been invalided out of
Royal Engineers after been diagnosed with a stomach ulcer. Once
again, Hay is the loveably inept purveyor of education, this time assisted by
Thora Hird in his attempts to wring humour from high school mathematics.
Nice work if you can get it.
Whilst certainly not the best of Will Hay's comedies, the film manages
to be an fast-moving and enjoyable romp, best remembered for Hay's
frequent changes of identity - one minute he's a bumbling old ticket
collector, the next he's a rather fetching nursing sister.
Although Mills's acting talents are completely wasted here, his pairing
with Hay is an inspiration and they form a surprisingly good double
act. The car chase sequence, in which this enterprising duo are
pursued across country by ruthless Nazi agents, is one of the most
memorable of Hay's entire film career. This volley of anarchic
fun makes a stark contrast with Ealing's subsequent comedies, which
would be far more sophisticated and much less reliant on vaudevillian
slapstick for laughs.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Basil Dearden film:
The Halfway House (1944)
Film Synopsis
Will Davis is the proprietor of a correspondence college that prides
itself on its academic excellence, even if it has difficulty competing
with the better known academic institutions. The college's only
pupil is Bobby Jessop, a junior employee at the Ministry of
International Commerce in London. When Jessop abandons his
mathematic course and refuses to settle his fees, Davis storms into his
office and threatens to ruin his career unless he pays up. Jessop
manages to placate Davis by offering to find him a job at the
Ministry. As he waits for Jessop to return, Davis is mistaken for
a distinguished economics professor, Davys, who is to play a crucial
part in agreeing a pact between Great Britain and the countries of
South America. The real Davys has in fact just been abducted by
Nazi agents who are determined to wreck the pact, thereby depriving
Britain of a valuable wartime ally. Realising the truth of
this, Jessop and Davis join forces and set about trying to find the
missing professor...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.