Film Review
The Dark Past is one of a
number of Hollywood productions of the 1940s to tap into widespread
interest in Freudian psychoanalytical concepts, managing to graft these
ideas into a thriller plot with more success than many. Although
much of the psychobabble has been debunked since, the film convincingly
argues the case that criminal behaviour in adulthood can be the direct
result of unresolved childhood traumas, and does so, commendably, in
the course of a compelling film noir thriller.
This was the second film to be directed by Rudolph Maté, who had
previously worked as a cinematographer, widely regarded as one of the
best in the business. Maté's cinematography credits date
back to 1920 and include work on such films as Carl Theodor Dreyer's
masterpieces
La passion de Jeanne d'Arc
(1928) and
Vampyr (1932).
Maté's experience as a cinematographer served him well when he
came to make his own films; few filmmakers have used lighting and
camera angles so effectively to create atmosphere and tension, as
The Dark Past amply demonstrates.
Whilst the film has some shortcomings in the script department, these
are more than made up for by the quality of the performances,
particularly from the two male leads. The intensity and focus
that William Holden and Lee J. Cobb both bring to the film make
The Dark Past a thoroughly
absorbing drama that deserves to be ranked alongside some of the other
great films noirs of the period.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Psychiatrist Dr Andrew Collins is spending a peaceful weekend at his
country house with his wife and a few friends when gangster Al Walker
walks in, looking for a hideout for a few hours. Walker has just
escaped from prison, with the help of his girlfriend and mobster
friends, and warns Collins that unless he cooperates he is more than
willing to shoot him and his houseguests. Collins is
intrigued when he learns that Walker has been afflicted with the same
recurring dream since childhood. If he can interpret the
dream correctly, he will discover why Walker became a dangerous
criminal...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.