The Day of the Triffids (1962)
Directed by Steve Sekely, Freddie Francis

Horror / Thriller / Sci-Fi
aka: Invasion of the Triffids

Film Review

Abstract picture representing The Day of the Triffids (1962)
John Wyndham classic sci-fi novel The Day of the Triffids is pretty savagely massacred in this lacklustre B-movie adaptation, which dispenses with the drama, tension and subtle Cold War allegory of Wyndham's novel and instead contents itself with cheap thrills of the kind that relegate it to the bargain basement of 1950s-style sci-fi flicks.  Although the film has been ridiculed for its special effects, these are actually not bad for the time and are far from being the film's weakest point. What ruins the film is not the special effects or the slightly hysterical over-acting or the woefully lacklustre mise-en-scène, but a screenplay so dire that any resemblance to a novel by John Wyndham is purely coincidental.

Unlike the previous Wyndham adaptation Village of the Damned (1960), which is generally well-regarded, this one shows little respect for its source novel and is simply content to take the basic ideas and work them into a trashy disaster movie.  Worse, the writers also had the audacity to solder on a facile, moralising happy ending that is more likely to induce a severe bout of projectile vomiting than any quantity of undercooked kebabs.  Given how abysmal the screenplay is, it is surprising that the film holds up as well as it does.

The film was directed by Steve Sekely, a renowned Hungarian filmmaker who failed to make much of an impact after moving to the West to escape anti-Semitic brutality in his own country.   Freddie Francis, famous for his horror offerings for Hammer and Amicus, was hired at the eleventh hour to direct a few additional scenes when the film's producers felt it was too short.  Fortunately for his career, Francis was not credited for his work on the film.  

Although considered a classic among some sci-fi enthusiasts, the 1962 version of The Day of the Triffids is a pretty indigestible feast, in which the nature of the threat is completely undermined by the totally unconvincing characterisation and some execrably bad storytelling.   Compared with the excellent 1981 BBC TV adaptation (which boasted some impressive effects, a great script and superlative performances from John Duttine and Maurice Colbourne), it is shallow, clunky and harrowingly unexciting - British sci-fi at its near-worst.
© James Travers 2011
The above content is owned by frenchfilms.org and must not be copied.

Film Synopsis

One night, the sky is lit up by the dazzling spectacle of meteorites burning up in the atmosphere.  The following morning, Bill Masen, an American naval officer, wakes up in hospital after an eye operation to find that everyone around him has lost his sight.  Bill soon realises that this is a global phenomenon - the blazing meteorites of the night before have rendered almost the entire human population blind.   Then Bill becomes aware of an even greater threat.  A new species of carnivorous plant, the Triffid, has gone on a killer rampage, hunting and devouring the defenceless humans.  A couple stranded on an island try to find a way to destroy the Triffids, but their attempts prove futile.  It really does look as if this is the end for mankind...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Steve Sekely, Freddie Francis
  • Script: Philip Yordan, Bernard Gordon, John Wyndham (novel)
  • Cinematographer: Ted Moore
  • Music: Ron Goodwin
  • Cast: Howard Keel (Bill Masen), Nicole Maurey (Christine Durrant), Janette Scott (Karen Goodwin), Kieron Moore (Tom Goodwin), Mervyn Johns (Mr. Coker), Ewan Roberts (Dr. Soames), Alison Leggatt (Miss Coker), Geoffrey Matthews (Luis de la Vega), Janina Faye (Susan), Gilgi Hauser (Teresa de la Vega), John Tate (Captain, SS Midland), Carole Ann Ford (Bettina), Arthur Gross (Flight 356 Radioman), Colette Wilde (Nurse Jamieson), Ian Wilson (Greenhouse Watchman), Victor Brooks (Poiret), Michael Bishop (Flight 356 Pilot), Mick Dillon (Triffid), Katya Douglas (Mary), Thomas Gallagher (Burly Man)
  • Country: UK
  • Language: English
  • Support: Color
  • Runtime: 93 min
  • Aka: Invasion of the Triffids ; Revolt of the Triffids

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright