Film Review
John Ford's masterful adaptation of John Steinbeck's 1939 Pulitzer
Prize winning novel
The Grapes of
Wrath is one of the greatest films in American cinema, and an
important historical record of what migrant workers suffered during the
darkest days of the depression in the 1930s. Whilst Ford is
perhaps best known for the many great westerns he directed,
The Grapes of Wrath is
unquestionably his masterpiece, and a lovingly composed paean to that
greatest institution of all, the family. The film
established Henry Fonda as one of Hollywood's leading actors, and as
the surly but likable Tom Joad he gives what is widely considered one
of his very best screen performances.
The Grapes of Wrath was
topical when it was made but it was also a daring film for Hollywood at
the time. The perceived leftwing bias of the novel worried
producer Darryl F. Zanuck. He hired private investigators to check out
Steinbeck's account of the ill-treatment of migrant workers, to be sure
he could fend off accusations of Communist sentiment.
One of the criticisms the film drew was that its subject was too grim for an
audience who were still living through the depression. In spite
of this, the film was a commercial success and met with generally
favourable reviews. It received seven Oscar nominations,
including Best Picture and Best Actor (Henry Fonda), and won two, for
Best Director (John Ford) and Best Actress in a Supporting Role (Jane
Darwell, playing the matriarchal Ma Joad).
What is perhaps most memorable about this film is the immediate visual
impact of its setting. The striking panoramic shots of the vast
Mid-western landscapes convey a sense of scale and location which is
quite rare in cinema for this era, and these repeatedly stress the
puniness of the migrant workers who are pitted against the immense
forces of nature and capitalism.
John Ford is almost unrivalled
when it comes to using images and visual technique to tell the story
and engage the viewer's emotions. And it is often the simplest
shots that have the greatest emotional power and tell us most about the
characters in the film - for example, the quiet little scene where Ma
Joad is sifting through her few keepsakes on the eve of the family's
departure for what they think is the promised land. Ford's
approach to film storytelling is very nearly that of a silent
filmmaker, which could explain why his films have such a wide appeal and
continue to deliver such an enormous impact.
In contrast to the almost unremitting bleakness of Steinbeck's novel,
this film adaptation has plenty of lighter moments and closes with a
far more optimistic ending, with some inspiring speeches that suggest a
brighter future is just over the horizon. It's precisely
the kind of message a contemporary audience would have wanted to hear:
no matter how tough things are, things will get better - just don't
lose sight of where you are going.
The film does have some
gloomier passages, however. The matter-of-fact deaths of Tom's
grandparents, the casual killing of Casey, the brutal way in
which the Joads are abused by their employers. The manner in
which these sequences are underplayed somehow
heightens their poignancy greatly, and makes the ordeal of the migrant
workers almost unbearable to watch. With its stark visual
lyricism and simple, neo-documentary depiction of a human tragedy,
The Grapes of Wrath is
unquestionably one of the finest social dramas ever made.
© James Travers 2008
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Next John Ford film:
How Green Was My Valley (1941)
Film Synopsis
After serving a four-year stretch in prison for manslaughter, Tom Joad
hitchhikes his way back to his home in Oklahoma. To his surprise,
the Joad farm is deserted - the family has decamped to Uncle John's
place nearby. Tom learns that the Joads are just one of hundreds
of families who have been evicted by landowners who, after repeated
crop failures caused by dust storms, intend to use more efficient means
of farming the land. Hearing there is fruit-picking work in
California, the Joad family set out on a 1000 mile journey to get
there, in an old jalopy weighed down with all their possessions.
The journey is arduous and takes its toll: Grandpa and Grandma Joad die
on the way. When they reach California, the Joads' optimism
quickly evaporates. Work is scarce but workers are plentiful, and
the unscrupulous farm owners know how to use this to their advantage..
© James Travers
The above content is owned by frenchfilms.org and must not be copied.