Film Review
Whilst it may play fast and loose with the actuality to the extent that
it is virtually a work of fiction,
The Jolson Story still manages to
be one of Hollywood's better attempts at a musical biography, thanks to
its impressive production values and a spellbinding central
performance from Larry Parks. This was Parks' big breakthrough
role and he throws everything he has into his superlative imitation of
the man who is often cited as the greatest entertainer of the Twentieth
Century.
Jolson not only provided the singing voice for Parks but also
spent many hours coaching the actor to replicate his mannerisms to
perfection. Parks was nominated for an Oscar but was cruelly
denied the award. 1947 was an exceptionally competitive year for
the Oscars and Parks was up against James Stewart in
It's a Wonderful Life and Laurence
Olivier in Henry V. The award went to Fredric March for his work
on
The Best Years of Our Lives.
The Jolson Story was
rewarded with two Oscar wins, in the Best
Sound and Best Music categories.
This is a film which no fan of Al Jolson can miss and for non-fans it
is still a highly entertaining piece of escapism, despite the abundance of
clichés. It includes 25 of Jolson's numbers, including
such all-time hits as
You Made Me
Love You and
My Mammy,
whilst shedding some light on the great man himself. Particularly
revealing is the film's depiction of the conflict between Jolson's
personal and professional life. There is a poignant reminder of
the downside to the celebrity as we see that a star may end
up living not for himself but merely
to please those who adulate him.
Admittedly, a lot of the less wholesome aspects of Jolson's life are
subtly airbrushed out of the picture. There's hardly a hint of
the performer's well-known monomaniacal tendencies and no mention
whatever of his first two short-lived marriages. Ruby Keeler, Jolson's
third wife, refused to give permission for her name to be used, so she
was renamed Julie Benson in the film.
The Jolson Story is hence by no
means an accurate biography, but rather a rags to riches fairytale of
the kind that Jolson's followers would like to believe was true.
And who
wants to see all the
imperfections in a man's character anyway? This is a heartwarming
tribute to a performer who was loved the world over and who gave
everything to his art, even at the risk of personal happiness.
The Al Jolson story continued in the same vein in the
equally enjoyable sequel
Jolson Sings Again (1949), in which Larry Parks reprises
the role for which he is best remembered.
© James Travers 2009
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Film Synopsis
The son of an immigrant Jewish cantor, Asa Yoelson would rather spend
his hours in burlesque theatres than at the synagogue learning to be a
good Jew. When vaudevillian Steve Martin invites Asa to join him
in his act, having heard him sing, the boy can hardly believe his good
fortune. Unfortunately, his father has other ideas and refuses to
let Asa pursue such a disreputable career. Undeterred, Asa runs
away from home and begins a successful partnership with Steve.
Several years later, Asa is offered work with a minstrels troupe and
reluctantly parts with his friend and mentor. One evening, Asa
comes across a jazz band and is so mesmerised by what he hears that he misses his
show. He immediately gets an idea for a new act, but his manager
is not interested. A theatre manager on Broadway is more
enthusiastic, however, and young Asa gets his big break. The Al
Jolson legend has just been born...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.