The second of Eric Morecambe and Ernie Wise's four forays in cinema is
easily their least successful and the critical reaction the film
received is doubtless one of the reasons why their film career failed
to take off, despite the duo's burgeoning popularity on British
television. The Magnificent Two
lacks the sparkle and enjoyable idiocy of Eric and Ernie's first film, The Intelligence Men (1965) and
suffers on account of its low budget (revealed in the locations, which
are more Home Counties than South America) and third rate script.
You'd hardly think the film had been written for Morecambe Wise, as it
makes not even the meanest attempt to capitalise on what they are good
at (which is taking the Mickey out of each other and sending up
everything they appear in). Instead, what we get is a dull and
hackneyed tale about a South American revolution that piles
cliché upon cliché and almost completely overlooks the
fact that this was meant to be a comedy. There are one or two
laughs amidst the mountain of indigestible dross, but these are very
few and far between. There really is nothing magnificent about
this film, except for the one or two brief moments when the real Eric
and Ernie come out of hiding and show it up for the nonsense that it is.
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Travelling salesmen Eric and Ernie arrive in the South American town of
Parazuellia, hoping to find a ready buyer for their range of realistic
toy soldiers. Instead, they find themselves in the midst of a
revolution and Eric is mistaken for the rebel leader Torres, who had
the misfortune to fall to his death from a train. The president
of Parazuellia is ousted and Eric, reluctantly, takes his place.
When Eric delivers a televised speech promising Utopia to the country's
working poor, the rebel leaders decide that he is a liability and must
be assassinated...
Script: Sidney Green, Richard Hills, Michael Pertwee, Peter Blackmore
Cinematographer: Ernest Steward
Music: Ron Goodwin
Cast: Eric Morecambe (Eric),
Ernie Wise (Ernie),
Margit Saad (Carla),
Virgilio Teixeira (Carillo),
Cecil Parker (British Ambassador),
Isobel Black (Juanita),
Martin Benson (President Diaz),
Michael Godfrey (Manuelo),
Sue Sylvaine (Carmelita),
Henry Beltran (José),
Tyler Butterworth (Miguel),
Sandor Elès (Armandez),
Andreas Malandrinos (Juan),
Victor Maddern (Drunken Soldier),
Charles Laurence (Assassin),
Michael Gover (Dr. Pablo),
Larry Taylor (Paco),
David Charlesworth (Torres),
Hugo De Vernier (Hard-faced Man),
Anthony Blackshaw (Soldier)
Country: UK
Language: English
Support: Color
Runtime: 100 min
Aka:What Happened at Campo Grande?
The best of American film noir
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.