Film Review
Possibly the most overlooked and underrated of John Ford's early films,
The Whole Town's Talking is a
superb, highly entertaining parody of the 1930s gangster thriller, a
film which gave Edward G. Robinson plenty of scope to prove his
versatility as an actor. John Ford is not particularly known as a
director of film comedies, but this stylish gangster romp shows that he
can make a film of this kind that is every bit as good as any of his
contemporaries.
Whilst first and foremost a comedy - and one with some great gags - the
film also manages to evoke the grim mood and realism of the early
gangster films. Between the farce set-pieces there are some
chillingly dark moments, such as the heart-stopping scene where Mannion
first confronts his double and then later when Arthur is driven to act
like Mannion to save his own life. The film manages
simultaneously to play dutiful homage to the gangster film and also to
gleefully send it up - which is no small feat when you consider
subsequent parodies of popular genre films.
The Whole Town's Talking
marked a turning point in the career of Edward G. Robinson.
He had become famous for playing sadistic hoodlums since his appearance
in the seminal gangster film
Little Caesar (1931). In
this film, the charismatic chubby faced actor gets to play a double
role - a gangster and an ordinary office clerk, two characters that
could hardly be more different. The degree to which Robinson
manages to delineate the two character is extraordinary. When
they appear on screen together - through the miracle of split screen
photography - it is hard to believe they are played by the same
man. Even more impressive is how Robinson makes his two
characters change in the course of the film, with Arthur and Mannion
each picking up each other's traits as a result of having to
impersonate one another. It is a terrific performance which
allowed Robinson to widen his repertoire considerably in the years that
followed.
© James Travers 2008
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Next John Ford film:
Mary of Scotland (1936)
Film Synopsis
Arthur Ferguson Jones is a mild-mannered office clerk whose closest
companions are his cat and his canary. For months, he has had a
secret crush on one of his colleagues, Miss Clark, but he is too shy to
speak to her. However, on the day that Miss Clark is fired for
arriving late at the office, Arthur finds the courage to invite her out
to lunch. It proves to be an eventful day, but not in the way he
planned it. Unbeknown to Arthur, he is the spitting image of a
notorious gangster, Killer Mannion, who has just escaped from
prison. Mistakenly arrested by the police, Arthur fails to
convince them of his identity until Killer Mannion strikes again.
To avoid further mistakes, the police issue Arthur with an identity
card, but the adventure is far from over. Returning to his
apartment, Arthur finds he has an unexpected visitor: Killer Mannion!
© James Travers
The above content is owned by frenchfilms.org and must not be copied.