Film Review
An unmanned aircraft is sent to collect Cal and a short time later the
scientist finds himself in a remote area of
Georgia. He is greeted by a familiar face - Dr Ruth Adams,
another eminent scientist, although she seems strangely unable to
remember the good times they once shared. Cal is taken to a
secret research establishment where he meets Exeter and other
scientists, including Dr Carlson. Convinced that Exeter's project
has a malevolent purpose, Cal, Ruth and Carlson make a bid to
escape.
When Carlson is killed by a powerful ray, Cal and Ruth try to fly away
in a small plane. A flying saucer suddenly appears from nowhere
and emits a beam that locks onto Cal and Ruth's plane, drawing them
into the ship. It is now that the two scientists learn the
truth. Exeter and his cohorts come from a far away world,
Metaluna. They came to Earth in search of scientists and uranium
deposits that will save their own world from attack by their deadly
enemies, the Zagons. When the spaceship reaches Metaluna, the
planet's protective shield has all but been destroyed by the Zagons'
relentless bombardment. Only one course remains open to the
Metalunans - they must leave their world and colonise the planet
Earth...
It is all too easy to lampoon
This
Island Earth for its dated effects, hackneyed plot, dodgy sets
and even dodgier acting, but in its day it was one of the most
ambitious and exciting science fiction films ever to hit a cinema
screen. Most sci-fi films made in the early 1950s were low budget
pictures made in black-and-white. They rarely featured aliens and
seldom ventured to other worlds. By contrast,
This Island Earth was a leap into
the unknown - a bold Technicolor spectacle that not only gave us one of
cinema's most iconic monsters (the grotesque slave mutant) but
transported us into the deepest reaches of space, to a far flung planet
with the exotic name Metaluna. Two and a half years in the making,
this film ought to have been the
Star
Wars of its day, with its groundbreaking special effects,
thrilling action scenes and an inspired vision of another civilisation.
Unfortunately, nothing dates faster than a science-fiction movie.
Today,
This Island Earth
feels so like a compendium of old sci-fi clichés that it is
virtually impossible to watch without either cringing or sniggering
at. Take a few average episodes of
Lost In Space and
Star Trek, splice them together in
your mind, and the resulting mishmash probably bears more than a
passing resemblance to this film. Just why are other films
of this era, such as
Forbidden Planet
and
The War of the Worlds, still
highly thought of, whilst
This
Island Earth is generally seen in such a bad light? The
problem may lie in the fact that
This
Island Earth was so popular and innovative in its day that it
inspired a whole raft of inferior sci-fi films, which reused many of
its concepts ad nauseum. What was fresh and original in
This Island Earth soon became a
weary cliché and, inevitably, the film that started the ball
rolling itself began to resemble a mass of clichés.
Judged on its own merits,
This
Island Earth is an exceptional film for its time. The
visual effects were ahead of their time and would provide the basis for
effects that would later be used in
Star
Wars and other, more highly regarded, sci-fi classics. The
plot may be muddled and overly complicated, but it vividly reflects the
Cold War anxieties of the day and prevailing concerns over the
misappropriation of scientific endeavour for military use.
This Island Earth is not as
sophisticated and well-loved as other 1950s sci-fi movies, but it is arguably one of the
most important films in the genre.
© James Travers 2010
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