Film Review
Emmanuel Mouret's follow-up to his popular
Changement d'adresse (2006) is
a similarly amiable romantic comedy, one that injects a healthy shot of
originality, not to mention some measure of respectability, into the
well-worn rom-com formula. For all its apparent whimsy and
gossamer lightness of touch,
Un
baiser s'il vous plait offers a surprisingly profound
meditation on the complexities of love and desire and is Mouret's most
sophisticated and incisive film to date. The film employs the
device of a story within a story to great effect, framing a humorous
romantic adventure (in which Mouret, a very competent and likeable
actor, takes centre stage) within a more serious amorous
encounter. The framed story and the one that surrounds it are
almost mirror images of one another - the first is playfully witty,
with characters that are caricatured almost to the level of a Feydeau
farce, the second is more sombre and realist in style, yet both convey
the same message, that there is no such thing as an innocent
kiss.
As ever, Mouret chooses his actors with great care, ensuring that his
intelligent screenplay is complemented by performances of the highest
calibre. Virginie Ledoyen, too often overlooked in recent years,
is the perfect foil to Mouret's inept lover (who somehow manages to
look like the discarded love child of Jacques Tati and Mr
Bean). Mouret's intellectual, deadpan humour presents some
obvious challenges but Ledoyen nails her character perfectly, and by
downplaying the humour and the sentiment to near-homeopathic
proportions she gives her verbally diarrhetic but emotionally
constipated co-star the perfect sidekick, the Paulette Goddard to
Mouret's Chaplin. The mating ritual which the über-gauche
Mouret and the quietly smouldering Ledoyen embark on may have a parodic
pantomime-like feel to it, yet it still has a ring of truth, and
provides an effective contrast with the film's other romantic
entanglement. The latter is played to devastating effect by
another hugely talented duo, Julie Gayet and Michaël Cohen, who
definitely deserve a re-match in a sequel.
A great lover of classical music (evidenced by his use of such in his
films), Mouret constructs his films as though they were symphonies,
each episode being a movement with its own distinctive mood and
tempo. This is probably what makes his films so rich and engaging,
whilst allowing him to indulge his mania for generous verbiage without losing
his audience's interest.
Mouret's work has often been likened to that of Truffaut
and Rohmer, but it is not unreasonable to compare him with that other
master of the romantic comedy, Ernst Lubitsch. There is a quality
to Mouret's writing and direction - a sense of the absurd coupled with
a probing intelligence and genuine unfussy tenderness - that is
distinctly Lubitsch-esque. Like Lubitsch, Mouret shows us the
supreme beauty and tragedy of love through the unlikely medium of
farce, exposing life's cruel ironies not by yanking on our heartstrings
like an importunate child, but by making us laugh at the distorted
reflection of our own experiences.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
During a business trip to Nantes, Emilie loses her way and asks a
stranger, Gabriel, for directions. Gabriel feels instantly drawn
to the attractive young woman and offers her a lift in his van.
Emilie, who is equally taken with this kind, good-looking stranger,
cannot refuse. They meet up again later that day and have a meal
together. When the time comes to go their separate ways, Gabriel
decides to offer Emilie a parting kiss, but to his surprise she holds
herself back. Sensing Gabriel's disappointment, Emilie begins to
recount the experiences of two acquaintances of hers. Nicolas and
Judith have been friends for many years. Both are in a steady
relationship, but both are dissatisfied with their respective
partners. When Nicolas becomes aware that he no longer feels for
his girlfriend as intensely as he once did, he turns to Judith for
help. Within no time at all, Nicolas and Judith are consumed by a
passionate love affair that will greatly impact the lives of six
people - all because of a seemingly innocent little kiss...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.