Film Review
An emotionally involving but far from subtle allegory on the
Israel-Palestine situation,
Une
bouteille à la mer captivates mainly through the
authentic performances from the two leads, Agathe Bonizter and Mahmoud
Shalaby, and its realistic portrayal of everyday life in the region,
bouts of normality punctuated by terrorist attacks and other
atrocities. The film is directed with somewhat more flair than is
evident in the screenwriting by Thierry Binisti, his second feature for
cinema, after
L'Outremangeur
(2003). For the past two decades, Binisti has had a productive
career in French television and has directed around twenty TV movies
and television series, although he has yet to make much of an impact in
cinema.
The film is based on
Une bouteille
dans la mer de Gaza, a novel by the French writer Valérie
Zenatti, who spent her adolescent years in Israel and was profoundly
marked by what she experienced. Zenatti contributed to the
screenplay, having previously scripted Alain Tasma's
Ultimatum (2009), adapted from
another of her books.
Une
bouteille à la mer isn't so much a love story as an
allegorical fable on the Israeli-Palestinian deadlock. Evidently,
the moral of the film is that the impasse can only resolved by
dialogue, by the two sides talking to one another and learning to
appreciate each other's point of view.
The two main characters Tal and Naïm are clearly meant to
represent the two states, Israel and Palestine, separated by concrete
and generations of mutual loathing. When Naïm receives Tal's
message in a bottle his reaction is predictably derisive. A
gesture of peace from a naïve teenager can only ring hollow when
you are sitting on the other side of the fence with missiles and
bullets trained on you day and night. But then something
wonderful and unexpected happens. Naïm and Tal manage to put
their cultural differences to one side and open a dialogue, through the
modern miracle that is the internet. Gradually, they start to see
things from the other person's point of view and develop a mutual
trust. The realities of living in what is effectively a war zone
threaten the promising entente, but the desire that Naïm and Tal
both have to reach out and make contact with the other side keeps the
e-mails zipping back and forth and their friendship blossoms.
Naïm even takes the trouble to learn French (a sign of commitment
if ever there was one) and ends up quoting poems by Jacques
Prévert.
It is easy to criticise the film for its simplicity and the way it
sidesteps the complex and seemingly intractable politics that have kept
Israel and Palestine apart for generations. Yet the film's
simplicity and naïve optimism are its main charm.
Naïm and Tal do not represent the present, which admittedly does
feel depressingly hopeless, but a future when individuals on both sides
make contact with one another and create a climate in which it is
possible for the leaders of Israel and Palestine to talk to one another
and resolve the futile dispute over territory.
Une bouteille à la mer is
not about how things are now, it is a heartfelt expression of how things should
be - a song of hope for a future in which Israelis and Palestinians can
settle their differences and live side by side not as enemies, but as
committed allies. After all, no one expected the Berlin Wall to
come tumbling down in 1989. Why shouldn't the West Bank Barrier
go the same way?
© James Travers 2012
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
Tal is a young French woman who has settled in Jerusalem with her
family. She is 17 and has reached the age of her first adult
experiences - her first love, her first cigarette, her first terrorist
attack. When a suicide bomber blows up a café near to
where she lives, Tal writes a letter to an imaginary Palestinian in
which she asks some pointed questions and refuses to accept that Israel and
Palestine must go on being divided by hatred. She puts the letter
in a bottle and asks her brother to throw it into the sea, near to
Gaza. A few weeks later, Tal receives a reply from someone named
Gazaman...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.