Film Review
La Java bleu is one of the
most enduring French songs of the 1930s, a sweetly melancholic love ballad that
became a national hit on the eve of WWII thanks to a
recording by star chansonnier Fréhel. The song is still
fondly remembered in France but the film for which it was created,
Une java, is now almost completely
forgotten, and not without reason. A pedestrian crime drama,
Une java only comes to life at the
thirty minute mark when Fréhel appears and sings her most famous
song, a tune which is then reprised (less successfully) by the lead
actor Antonin Berval and repeated intermittently throughout the rest of
the film. It is as if, whilst making the film, director Claude
Orval realised that the main song was all it had going for it.
Claude Orval was not one of France's most distinguished
filmmakers. Having directed a handful of mostly mediocre films,
he gave up directing and pursued a far more successful career as a
crime writer.
Une java
is probably the best known of his films, and then only because of its
association with a celebrated song, created by Vincent Scotto. (
La Java blue is actually a
misnomer, as the song's music is a waltz, not a
java...). A respectable cast (including Mireille Perrey, Mila
Parély and Raymond Aimos) is mostly wasted on a film that is
poorly scripted and directed with next to nothing by way of flair or
imagination. Badly paced, the film staggers along and
only holds the attention as a work of drama in its final reel, by which point the spectator has
completely lost interest. Fréhel is only on screen for a
few minutes but this is enough to prevent this tedious plod-a-thon from
earning a well-deserved place in obscurity.
© James Travers 2014
The above content is owned by frenchfilms.org and must not be copied.
Film Synopsis
For wounding a police officer, petty criminal Yann is sent to prison for
five years after his former girlfriend Gaby testifies against him.
In fact, the real culprit is Yann's criminal associate, Armando. On
escaping from prison, Yann's only thought is to go after Armando and inflict
on him a just chastisement. Meanwhile, Yann's sister Rose has managed
to find work as a secretary to Méry Cerval, a popular star of the
music hall. In search of inspiration for her next show, the latter
pays a visit to a seedy bar which is frequented by lowlife, among them Armando
and his accomplices, Frédo and Le Tordu.
Yann shows up at the bar just as Frédo and his chums make an attempt
to rob the famous performer of her jewels. Méry shows her gratitude
by offering Yann a dance with her. Humiliated, Frédo plans to
take his revenge by raiding Méry's house one evening, with the help
of Armando. Having finally tracked down his enemy, Yann gets into a
fierce fight with him, just as the police show up. In the confusion,
Armando is killed and Yann is arrested, but the outcome is to the latter's
advantage. When he is released from prison a short time later, Yann
will find someone patiently waiting for him - Méry...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.