Virgil (2005)
Directed by Mabrouk El Mechri

Comedy / Drama

Film Synopsis

Virgil is a young man in his early thirties who is determined to follow his father Ernest's career and become a champion professional boxer.  He might have achieved his ambition, if it were not for the fact that his father managed to get himself arrested and sent to prison for murder.  Without his father's encouragement to goad him on, Virgil becomes demoralised and soon loses his boxing licence.  He hasn't the heart to break this unhappy news to his father, so on each of his weekly visits, he lets Ernest think that he is still a professional boxer.  It is with obvious pride that the old man listens to his son's vivid accounts of his numerous victories in the ring.

During his frequent prison visits, Virgil can't help noticing an attractive young woman named Margot, who arouses far more than a passing interest.  One week, Ernest has a surprise for his son which he knows will please him more than anything.  He is about to come out of prison!  What a joy it will be for the proud father to finally see his son in action in the boxing ring.  When this nice little bombshell falls at his feet Virgil is stunned.  He has just a few days to get back into training and prepare for his next boxing match, or else risk bringing upon his head a father's undying disappointment...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Mabrouk El Mechri
  • Script: Mabrouk El Mechri
  • Cinematographer: Pierre-Yves Bastard
  • Music: Frédéric Verrières
  • Cast: Jalil Lespert (Virgil), Léa Drucker (Margot), Jean-Pierre Cassel (Ernest), Philippe Nahon (Louis), Patrick Floersheim (Dunlopillo), Karim Belkhadra (Sid), Sami Zitouni (Kader), Jean-Marie Frin (Mario Taliori), Tomer Sisley (Dino Taliori), Jean-Luc Abel (Le maton Marcel), Michel Trillot (Le maton des douches), Marc Duret (Le maton aux cuisines), Philippe Manesse (Le maton à l'hôpital), Antoine Chain (Le prisonnier vestibule parloir), Ouassini Embarek (Le client grec), Nasser Zerkoun (Ernest à 22 ans), Didier Brice (Le bras droit), Said El Hayani (Virgil 1988), Alain Figlarz (Cordova), Virgile Fouilou (Le radiologue)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 93 min

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright