Film Review
One of cinema's most haunting and provocative portraits of childhood,
Whistle Down the Wind marked an
impressive directorial debut for Bryan Forbes and secured Hayley
Mills's reputation as the best child actor of her generation. The
film was based on a novel by Mills's mother, Mary Hayley Bell, the wife
of the famous screen actor John Mills. With its bleak rural
setting and arresting naturalistic performances from the three lead
child performers, this film both exemplifies the harsh realism that had
infected British cinema in the late '50s, early '60s and stands apart
as something quite unique, a mysterious and alluring fable on childhood
innocence and disillusionment.
Whistle Down the Wind is a
subtle and ambiguous film that admits various interpretations. It
can be read as an allegory of the story of Christ, an examination of
the limits of personal faith, and even a critique of modern religion,
implying (possibly) that all faith is delusional wishful
thinking. However you interpret the film, the raw authenticity
that comes from Forbes's unfussy direction, the documentary-style
photography and the unforgettable performances from Alan Bates and his
child co-stars make it a beguiling and poignant piece of drama.
This was the second film to be produced by Richard Attenborough, the
former actor who would go on to direct the multiple Oscar-winning
Gandhi (1982). Hayley Mills
would shine in several major film roles after this film but rarely
would she be as spellbinding and as effective at stealing our hearts as
she is here.
© James Travers 2009
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Next Bryan Forbes film:
Seance on a Wet Afternoon (1964)
Film Synopsis
Kathy, Nan and Charlie are three young children who live with their
father on a remote Lancashire farm. Their mother having recently
died, they are cared for by their aunt and they live an austere life.
One day, they save three kittens from being drowned by the farm's
labourer, Eddie, and hide them in the barn. That evening, when
she returns to the barn, Kathy discovers a strange young man lying in
the straw. When Kathy asks him his name, the man exclaims under
his breath "Jesus Christ!", leading her to think that he is the
Messiah. The man is grateful when the young girl returns the next
day with food and agrees not to mention he has seen him to anyone, but
he is annoyed when a large group of children later turns up, convinced
that he is gentle Jesus. In return for the gifts they offer him,
the man tells them stories. Meanwhile, police officers are
combing the area, in pursuit of a fugitive who is wanted for murder...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.