André Gabriello

1896-1975

Biography: life and films

André Gabriello was a French actor and singer whose birth name was André Adrien Maurice Galopet. He was born in Paris, France on 15th October 1896 and died in Paris, France on 19th March 1975, aged 78.

His best films as an actor include Jean Renoir's Partie de campagne (1936), Richard Pottier's crime-thriller Picpus (1943), Gilles Grangier's comedy Faites-moi confiance (1953), Émile Couzinet's Trois marins en bordée (1957) and Un tournage à la campagne (1994).

André Gabriello appeared in 73 films.

He has most frequently worked with the following directors: Richard Pottier (5 films), René Jayet (3), Max Ophüls (3), Jean Renoir (3), Georges Combret (3), André Cayatte (3), Roger Blanc (2), Pierre Chenal (2), Maurice Tourneur (2), Léo Joannon (2), Henri Lepage (2), Georges Péclet (2), François Campaux (2) and André Hunebelle (2).

His most frequent genres include: drama (34 films), comedy (26), Thriller (5), romance (4), crime-thriller (3), comedy-drama (3), history (2), comedy-romance (2) and Documentary (2).

Our average rating for André Gabriello over all films is: 2.5

Filmography

Key: a = actor

Calais-Douvres (1931) [a]

La Mille et deuxième nuit (1933) [a]

Une vie perdue (1933) [a]

Mirages de Paris (1933) [a]

Mon coeur t'appelle (1934) [a]

Divine (1935) [a]

Les Bas-fonds (1936) [a]

Partie de campagne (1936) [a]

Yoshiwara (1937) [a]

L'Affaire Lafarge (1938) [a]

La Maison du Maltais (1938) [a]

La Tragédie impériale (1938) [a]

Sans lendemain (1939) [a]

Narcisse (1940) [a]

Caprices (1942) [a]

Défense d'aimer (1942) [a]

L'Assassin habite au 21 (1942) [a]

La Fausse maîtresse (1942) [a]

Mariage d'amour (1942) [a]

Adrien (1943) [a]

La Ferme aux loups (1943) [a]

La Main du diable (1943) [a]

Picpus (1943) [a]

Vingt-cinq ans de bonheur (1943) [a]

Cécile est morte (1944) [a]

Le Roi des resquilleurs (1945) [a]

Les Caves du Majestic (1945) [a]

La Revanche de Roger la Honte (1946) [a]

Roger la Honte (1946) [a]

La Femme en rouge (1947) [a]

Le Mannequin assassiné (1948) [a]

Métier de fous (1948) [a]

Deux amours (1949) [a]

La Patronne (1949) [a]

Millionnaires d'un jour (1949) [a]

Ronde de nuit (1949) [a]

Sans tambour ni trompette (1949) [a]

Scandale aux Champs-Élysées (1949) [a]

La Rue sans loi (1950) [a]

Le 84 prend des vacances (1950) [a]

Boîte à vendre (1951) [a]

Folie douce (1951) [a]

Le Chéri de sa concierge (1951) [a]

Moumou (1951) [a]

Musique en tête (1951) [a]

Grand gala (1952) [a]

Les Femmes sont des anges (1952) [a]

Un jour avec vous (1952) [a]

Faites-moi confiance (1953) [a]

La Pocharde (1953) [a]

Tambour battant (1953) [a]

Le Collège en folie (1954) [a]

Leguignon guérisseur (1954) [a]

La Tour de Nesle (1955) [a]

Le Pays, d'où je viens (1956) [a]

C'est arrivé à 36 chandelles (1957) [a]

Du sang sous le chapiteau (1957) [a]

L'Amour descend du ciel (1957) [a]

Pas de grisbi pour Ricardo (1957) [a]

Trois marins en bordée (1957) [a]

Une nuit aux Baléares (1957) [a]

C'est la faute d'Adam (1958) [a]

En bordée (1958) [a]

Le Tombeur (1958) [a]

Les Gaités de l'escadrille (1958) [a]

Minute papillon (1959) [a]

La Fille du torrent (1961) [a]

Les Filles de La Rochelle (1962) [a]

L'Or du duc (1965) [a]

Les Enquiquineurs (1965) [a]

La Bourse et la vie (1966) [a]

Un tournage à la campagne (1994) [a]



The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright